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Antoine Catala, Catharine Czudej, Cécile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann & Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer, Anna Uddenberg
“The Commodification of Love”, curated by Cloé Perrone, 47 rue Saint-André des arts, Paris 6
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Cecile B. Evans

A man in progress, 2017

3D printed resin, hand painted

Mask: 10 cm x 9 cm

Hand: 5 x 6 cm

 

Catharine Czudej

I’m not your brother, 2017

Concrete, bamboo, wood, plastic, steel

Variable dimensions

 

Antoine Catala

 

Insecure Attachment, 2015

Board game (plastic, steel, silicone rubber, rubber, nylon)

121,9 x 50,8 x 50,8 cm

 

Bedroom, 2017

TV screen, scrunchie, USB key. Video (color, silent)

Loop: 30 s

124 x 72 x 4 cm

 

New Feelings, 2017

TV screen, scrunchie, USB key. Video (color, silent)

Loop: 30 s

124 x 72 x 4 cm

 

View of the exhibition “The Commodification of Love”, curator: Cloé Perrone, kamel mennour (47 rue Saint‑André des arts), Paris, 2017

 

© Antoine Catala

© Catharine Czudej

© Cecile B. Evans

© ADAGP Camille Henrot

Photo. archives kamel mennour

Courtesy the artists; 47 Canal, New-York; Office Baroque, Brussels; Galerie Emanuel Layr, Rome/Vienna; Galerie Christine Mayer, Munich

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