Johan Grimonprez
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JOHAN GRIMONPREZ

Né en 1962 à Roeselare, Belgique. Vit et travaille à Bruxelles et New York.

 

 

EXPOSITIONS PERSONNELLES

 

  • 2012

Kobarweng or Where is Your Helicopter?, Musée de la Chasse et de la Nature, Paris.

 

  • 2011

It’s a poor sort of memory that only works backwards, S.M.A.K, Gent.
BED, Para-SITE, Graz, Austria.
He mistook the groundlights for stars and asked why the airplane was flying upside down, ltd Gallery, Los Angeles, USA.
Double Take, ICA Boston.
Double Take, Ierimonti Gallery, Milan.
It’s a poor sort of memory that only works backwards, The Blaffer Galley, University of Houston, USA.

 

  • 2010

Double Take, Ierimonti Gallery, Milan.
Sometimes a cigar is just a cigar, Voges Gallery, Frankfurt.
Johan Grimonprez, The Fruitmarket Gallery, Edinburgh, Scotland.
Double Take, Doc Forthnight, MoMA, New York, USA.
Looking for Alfred, Cinémathèque Québécoise, Montréal.

 

  • 2009

Johan Grimonprez, Magasin 3 Stockholm Konsthall, Sweden.
Double Take, Sean Kelly Gallery New York, USA.
Cinéma du Réel, MNAM, Centre Georges Pompidou, Paris.

 

  • 2008

dial H-I-S-T-O-R-Y, The Hammer Museum, Los Angeles, USA.

 

  • 2007

J’ai oublié mon parapluie, kamel mennour, Paris.
Le ciel est peut être vert et nous daltoniens, Le Plateau Espace Experimental / FRAC Ile-de-France, Paris.
Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich.

 

  • 2006

But The Cups Never Grew To Be Kettles, Erna Hécey gallery, Brussels.

 

  • 2005

Johan Grimonprez, Looking for Alfred, The Photographers’ Gallery, London.
Johan Grimonprez, Looking for Alfred, Moderna Museet, Swede.
Johan Grimonprez, Looking for Alfred, Palais des Beaux-Arts, Brussels.
Johan Grimonprez, Looking for Alfred, Mead Gallery, University of Warwick Arts Centre.

 

  • 2004

Looking for Alfred, a film project by Johan Grimonprez, part of Revolution/Restoration Part II, Palais des Beaux-Arts, Brussels.
Johan Grimonprez: Looking for Alfred, The Photographers’ Gallery, London.
We never tell everything, we always keep something for the next anthropologist, Johan Grimonprez, Yvon Lambert, New York.
Hollywood : Flag Raising Ceremony, Hollywood Hills House.

 

  • 2003

Dial H-I-S-T-O-R-Y, The Essor Gallery, London.
Remo, Osaka, Japan. (solo show – screening)
Kojimacchi Gallery. (solo show – screening)
During Commercial Break..., web project introduced by Johan Grimonprez, Argos, Brussels.

 

  • 2002

How do we know the sky isn’t really green and we're just colorblind? Video library at the Santa Monica Museum of Art
(SMMOA), Los Angeles. (solo show - screening)

 

  • 2001

Maybe the sky is green and we’re just colorblind, Galleri Nicolai Wallner, Copenhagen. (website)
I’m a bit like you, I’m a bit in the clouds, Impakt/ Flatland Gallery, Utrecht. (website)

 

  • 2000

Erna-Hécey Gallery, Luxembourg.
Deitch Projects, New York.
House of Contemporary Arts, Trafó, Budapest.
Kunstforeningen, Copenhagen.
Maybe the sky is green and we’re just colorblind, videolounge, Stedelijk Museum voor Aktuele Kunst (S.M.A.K.), Ghent,
(catalogue - website).
Magnetoscopio, Rio de Janeiro.
Atomium, Brussels.
Centro Gallego Arte Contemporanea (CGAC), Santiago de Compostela (catalogue).
Museum für Neue Kunst/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany.
Your Words Have Reached My Ears, Anthony d’Offay Gallery, London (website).
Insert Commercial Here, videolounge at The Kitchen, New York.

 

  • 1999

Oakville Gallery, Oakville,Toronto.
Casino d’Art Contemporain, Luxembourg.
Presentation House Gallery, Vancouver (publication).
Art Gallery of New South Wales, Sydney,.
Australian Center for Contemporary Art, Melbourne.

 

  • 1998

Gallery 227, Jan van Eyck Academy, Maastricht (publication - website).
We must be over the rainbow..., Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela (monography).
Gallery for Contemporary Art, Cambridge.
Chapter Art Center, Cardiff.
La Caixa, Barcelona.
Centro Cultural do Brasil, Rio de Janeiro.
Musée du Jeu de Paume, Paris.
Museum für Moderne Kunst, Frankfurt am Main.
Institute of Contemporary Art, Boston.
Bild Museet, Umea.
National galerie im Hamburger Bahnhof, Berlin.
Dial H-I-S-T-O-R-Y, Anthony d'Offay Gallery, London (website).
Münchener Kunstverein, München.
Ludwig-Suermondt Museum, Aachen.

 

  • 1997

Galleri Riis, Oslo.
Kiasma Museum of Modern Art, Helsinki.
Museum voor Hedendaagse Kunst Antwerpen (MUHKA).
Palais des Beaux Arts / Paleis voor Schone Kunsten, Brussels.
Prends Garde! A Jouer au fantôme, on le devient, De Beursschouwburg, Brussels.
Kunstforeningen, Kopenhagen.
Museu da Republica, Rio de Janeiro.
Deitch Projects, New York.
Prends Garde! A Jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris, (publication - website).

 

  • 1995

Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent, (publication).

 

  • 1994

It wil be all right if you come again, only next time don't bring any gear except a tea kettle, Antichambres, Les Expositions du
Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, (monography).

 

  • 1993

YYZ Gallery, Toronto, November 24 - December 18.

 

 

EXPOSITIONS COLLECTIVES

 

  • 2014

Une Histoire. Art, architecture, design des années 1980 à nos jours, MNAM – Musée National d’Art Moderne – Centre Pompidou, Paris, France

 

  • 2012

The Future that Was , SMART Project Space, Museum Night Amsterdam, the Netherlands.
The Big Sleep , 26th Memorial of Nadežda Petrović, Art Gallery Nadežda Petrović, Čačak.
Experimenta Speak to Me, 5th International Biennial of Media Art, RMIT Gallery, Melbourne.
FIGHTCLUB EVERYDAY, Gallery On The Move, Berlin.
La voce della imagini | Paroles des images | Voice of images, Palazzo Grassi, François Pinault Foundation, Venise.
El mañana ya estuvo aquí | Tomorrow was already here, Museo Tamayo Arte Contemporáneo Internacional, Mexico City.
Summer Nights Festival presented by SAW Gallery & AXENÉO7, Ottowa & Gatineau, Canada.
MORE REAL? Art in the Age of Truthiness, SITE Santa Fe, Santa Fe, California, USA.
Rencontres Internationales Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin.
Who's afraid of black, yellow, red, blue and yellow?, BELGIE art centre, official program of Kiev Biennial of Contemporary Art, L'viv, Ukraine.
Found Footage: Cinema Exposed , EYE Film Institute Netherlands, Amsterdam.
Synchrony: Contemporary Video, The Hunter Museum, Chattanooga, Tennessee, USA.
Contour on Tour, Videokunst in het Vlaams Parlement, De Loketten, Brussels.
15th Japan Media Arts Festival, The National Arts Center, Tokyo.
Los Angeles Convention Center, Los Angeles, USA.

 

  • 2011

A Darkness More than Night, Quad Gallery, Derby, UK.
Maybe the sky is really green, Impakt Festival, Utrecht.
Pearls of the North , Palais d’Iéna, Paris.
Commercial Break, Light festival, Green Point, Brooklyn, USA.
The Uncanny Familiar – Images of Terror, C/O Berlin.
La Biennale di Venezia, Venise.
dial H-I-S-T-O-R-Y , Videoex Festival 2011, Zurich.
I may have lost forever my umbrella, ALIAS: Photomonth Festival, Krakow, Poland.
FOKUS: Video Kunst Festival, Nikolaj Kunsthal, Copenhagen.
Are you ready for television? CGAC, Santiago de Compostela.
ANGRY – Young and Radical, Nederlands Fotomuseum, Rotterdam.

 

  • 2010

The Esopus Foundation, New York, USA.
Expanding Documentary: De Brakke Grond, Amsterdam, Netherlands.
Instituto Itau Cultural, Sao Paulo, Brazil.
Are you ready for television?: MACBA, Barcelona, Spain.
CGAI, Spain. Netwerk, Aalst.
ABC Art Belge Contemporain: Le Fresnoy, Tourcoing, France.
Sao Paulo Biennale, Sao Paulo, Brasil.
Art Biennial Belleville, Paris, France.
Guggenheim Museum, New York, USA.
Melbourne IFF, Melbourne, Australia.
Blanton Museum, Austin, Texas.
Karlovy-Vary IFF, Karlovy Vary, Czech Republic.
Ikonoklash - Centro Cultural de Lagos, Algarve, Portugal.
All That Is Solid Melts Into Air: The Social at the Berardo Collection, Lisbon, Portugal.
Art Unlimited, Basel, Switzerland.

 

  • 2007

Exhibition at the beeldbank, University of Eindhoven, Pays-Bas.
Manipulators: I’m not a horse, Argos Centre for art and media, Brussels.
Petrol, Moscow Biennale, Moscow.
Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, galerie martine
thibault de la châtre, Paris.

 

  • 2006

Universal Experience : Art, Life and the Tourist’s Eye, MART, Rovereto, Italy, (group show – screening).
Die kultur der angst / the culture of fear, ACC Galerie Weimar, Weimar.
Video: An Art, A History / 1965-2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami.
Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art in Gdańsk, Poland.
Photo -Trafic, Centre pour l'image contemporaine, bac (bâtiment d’art contemporain), Genève.
Shared History / Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam.
Vers uit België, montevideo, Amsterdam.
Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris.
On the move, Verkehrskultur II, Westfälischer Kunstverein, Münster.
SIP MY OCEAN, Louisana museum of modern art, Louisana (group show- screening).
ZOOlogical Garden, Heusden, family park Harry Malter, Belgium.
Médiat, Annecy, L’Arteppes.
Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York.

 

  • 2005

VideoDictionary, Madrid, La Casa Encendida.
Artfilm biennale Cologne (group show – screening).
Unheimlich, De warande, Turnhout (group show screening).
Museum Night Lausanne, Palais De Rumine (group show – screening).
50 Jahre / Years Documenta 1955 - 2005, Kunsthalle Fridericianum Kassel (group show – screening).
Farsites : Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05,

Centro Cultural Tijuana, San Diego.
Art Unlimited, Basel Art Fair, represented by Erna Hecey Gallery, (group show – screening).
Inauguration show, De la Warr Pavilion, Bexhill on Sea (group show – screening).
Voices of Site, Visual Arts Gallery, New York.
Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005),

National Gallery, Prague. (group show – screening).
Laocoon Devoured, Artium, Basque Center - Museum of Contemporary Art, Vitoria-Gasteiz, Spain, (group show – screening).
Contemporary Art Center Vilnius, Vilnius.
Moderna by Night, Moderna Museet, Stockholm (group show – screening).
Strange, Familiar and Unforgotten, Erna Hécey Gallery Brussels.
Art Brussels 2005, Brussels Expo (group show – screening).
Video Dictionary of The Video Art Foundation, the Island Art Film & Video Festival, London; La Casa Encendida, Madrid;
Centre d’Art Santa Monica Barcelona (group show – screening).
Fair Use : Appropriation in Recent Film and Video, Hammer Museum, Los Angeles (group show – screening).
Just do it! The subversion of signs from Marcel Duchamp to Prada Meinhof,

Lentos Art Museum Linz (group show – screening).
Universal Experience : Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London
(group show – screening).
Detox – By Any Media Necessary, Kunstnerneshus, Oslo (group show – screening).
Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF-Exhibition), Kunst Werke Berlin; Joanneum Graz
(group show – screening).
Screen Tests, Nederlands Fotomuseum Rotterdam, International Film Festival Rotterdam (group show – screening).

 

  • 2004

Proof – The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne
(group show – screening).
ParaDocs, Stedelijk Museum CS Amsterdam (group show – screening).
Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy (group show – screening).
Flight, Lift Contemporary & Lift Caffe, Cherokee, USA (group show – screening).
Voice of Site: Tokyo - Chicago - New York, Tokyo National University of Fine Arts and Music (group show – screening).
A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication

(group show – screening).
Beginning Here : 101 Ways, Visual Arts Gallery, School of Visual Arts, New York (group show – screening).
Bozar Cinema, Palais des Beaux-Arts (group show – screening).
20th anniversary show, Collective Gallery, Edinburgh (group show – screening).
Slice & Dice, School of Visual Arts Museum, New York (group show – screening).
De Loense Strategieën van het (Kunst) Boek, Een selectie uit de Antwerpse Kunst-en Bewaarbibiliotheken,

Rubenianum, Antwerp.
Tour-isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona (group show – screening).
Whitestable Biennal, Deal, Kent (group show – screening).
A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea (group show – screening).
Works and Days, Acquisitions for the Louisiana Collection 2000-2004, The Louisiana Museum of Modern Art, Denmark,
(group show – screening)
Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens,

(official part of ATHENS 2004), (group show – screening)
Dartington College of Arts, Totnes, (group show – screening)
Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain (group show – screening)
La Casa Encendida, Madrid, (group show – screening)
How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico, (group show – screening)
This Much Is Certain, Royal College of Art Galleries, (group show – screening)
MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon,

Brooklyn, New York, (group show – screening)
Tate Liverpool, UK, (group show – screening)
Centre pour l’Image Contemporaine, Genève, (group show – screening)
Videoessay, Medienmuseum / Mediathek, Zentrum für Kunst und Medientechnologie, Karlsruhe, (group show – screening)

 

  • 2003

La Condition Publique, Roubaix, (group show – screening)
Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp, (group show - screening)
Kunst-Werke Berlin, (group show – screening)
Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt, & Ludwig Forum für Internationale Kunst Aachen, Germany,

(group show – screening)
Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece,

(group show – screening)
Remo, Osaka, Japan, (group show – screening)
Le Mois de la Photo à Montréal 2003, Maintenant. Images du Temps Présent sous la direction de Vincent Lavoie, Montreal,
Canada, (group show - screening)
IX foro internacional de teoria de arte contemporaneo, Canaia, Mexico, (group show – screening)
© Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece, (group show – screening)
Forum des Images, Paris, (group show – screening)
Appendix 2 : dif fusion and its topology, maf_Media Art Farm, Tbilisi, Geogia, (group show – screening)
"In context: a running program", Andrea Rosen Gallery, New York, (group show – screening)
'Your memorabilia', Video Art Screening: Tokyo,Tokyo International Forum (at NICAF 2003), Tokyo, (group show – screening)
Australian Center for the moving image, Melbourne, (group show – screening)
De Brakke Grond, Amsterdam, (group show – screening)
Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent, (group show – screening)
Hardcore, Palais de Tokyo, Paris, (group show – screening)
Media Field : pol.i.tick, Williams College Museum of Art, Williamstown, US, (group show – screening)
M-ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz, (group show – screening)
Bird’s coffe, Paris, January

 

  • 2002

Total Überzogen, edith-ruβ-haus für medienkunst, Oldenburg, Germany, (catalogue)
HAUNTED BY DETAIL, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the
collaboration of the filmmuseum in Amsterdam, (screening – website)
Airborne / Luftburen, Midlanda Konsthall, Sweden, (screening – catalogue – website)
Future Drei, The Starting Line, Pinakothek der Moderne, Munich, (catalogue)
The Galleries Show, The Royal Academy, London.
911+1 : The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, September 8-20
Edith-Russ-Haus für Medienkunst / Edith Russ Site for New Media, Oldenburg, Germany.
Lost Nation, Werkleitz Biennale, Dresden, Germany.
<representin'>, Galerie im Parkhaus, Berlin.
Feierabend, MARta Herford Museum, Herford.
Trauma, MOMA, Oxford (publication – catalogue).
Museum Hamburger Bahnhof, Berlin

 

  • 2001

4Free, Büro Friedrich, Berlin, (catalogue – website).
Trauma, FirstSite, Colchester, (catalogue).
Discontinuances in time, part 1.Terrorism, Galerija Likovnia Umetnosti, Gradec, Slovenia, (catalogue).
Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam.
Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Scotland
(catalogue).
1st Bienal de Valencia, Valencia, (catalogue).
De Melkweg, Amsterdam.
Maybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston, (screening - website).
Centre pour l’Image Contemporaine Saint-Gervais, Genève.

 

  • 2000

Finale di Partita / Endgame / Fin de Partie, Piazza Ognissanti, Florence (catalogue).
Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts / Tentoonstellingen van het Paleis voor Schone Kunsten,
Brussels (catalogue).
Diasporical Thoughts, Tacktoren Kortrijk.
Eine Munition Unter Anderen, Frankfurter Kunstverein (publication).
Agitated Histories : Video Art and the Documentary, Cranbrook Art Museum, Cranbrook, (screening – catalogue)
International Videogramme, Trafo-house of Contemporary Arts, Budapest.
No vacancies, Galerie Barbara Thumm, Berlin.
Widerspenstige Praktiken, Im Zeitalter von Informations - und Biotechnologien, Shedhalle, Zürich (publication – website).
ZKM / Zentrum für Kunst und Medientechnologie, Karlsruhe.
Art Unlimited, Basel Art Fair, (catalogue - CD-Rom - website).
Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, (catalogue).
Any where But Here, Artist Space, New York, (screening - website).
La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève.
Lost Nation, a library, Forum Stadtpark, Graz.
Edit, Badischer Kunstverein, Karlsruhe; (catalogue).
FAMILIY VIEWING, as part of the The Cool World : Film & Video in America 1950-2000, The American Century, Part II:
1950 - 2000, Whitney Museum of American Art, New York, (catalogue).

 

  • 1999

Das XX-Jahrhundert - Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, December 5 (catalogue)
Fireworks, DE APPEL, Amsterdam.
Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg, (website - publication).
Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen.
War Zones, Presentation House Gallery, Vancouver (catalogue).
Space Place, Kunsthalle Tirol, Tirol.
Lost Nation, a library, Beursschouwburg, Brussels.
Spiral TV, Spiral Building / Wacoal Center, Tokyo.
Collection de MNAM Centre Georges Pompidou, at ARC, Musée d'Art Contemporaine de la ville de Paris, Paris
Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp (catalogue).

 

  • 1998

XXIV Biennale Sao-Paulo, Sao-Paulo, (catalogue).
The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin.
Ludwig - Suermondt Museum, Aachen.
MuuMediaFestival, Helsinki (screening - website).
Reservate der Sehnsucht, Dortmunder U, Dortmund (catalogue).
Revolution 98, Corner House / ISEA, Manchester.
Mächtig Gewaltig, ACC Galerie, Weimar (screening - CD-Rom - website).
Videostore!, Bricks and Kicks,Vienna.
A Day in the Life, The Crimean Project / Part I, Soros Center for Contemporary Art (SCCA), Kiev (museum screening -
website).
Global Visions II, Deste Foundation, Athens.
Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon, (catalogue).
When Worlds Collide, Centre for Contemporary Arts, Glasgow, (publication).
'68 - '98 : trente ans de film militant… et quelques restes, Centre pour l'Image Contemporaine, Genève, (screening - website).
Biennale de l'image, de très courts espaces de temps, Caisse de Dépot, Paris, (screening - catalogue - website).
Kunsthaus Zürich & Schirn Kunsthalle Frankfurt, (catalogue).
Herzliya Museum of Art, Tel Aviv.
Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, (catalogue).
Fast Forward, 'IMAGE', Kunstverein in Hamburg, (catalogue).
Arkipelag, Nordic Museum, Stockholm, (catalogue).
Airport, Nederlands Foto-Instituut, Rotterdam, (screening - publication - website).
Places to stay #2, Dorothy doesn't live here anymore, Büro Friedrich, Berlin, (CD-Rom - publication).

 

  • 1997

Interarchiv,The Kunstraum der Universitat Luneburg in co-operation with Hans-Peter Feldmann and Hans Ulrich Obrist,

1997- 2002 (catalogue)
Rencontre Vidéo Art Plastique, Centre d'Art Contemporain de Basse Normandie, Hérouville-Saint-Clair, (catalogue).
Selected Memories, Paleis voor Schone Kunsten, Brussel, (catalogue).
Zones of Disturbance, Steirischer Herbst, Graz, (catalogue).
Knowledge/ Power/ Control, Northern Center for Photography, Helsinki, (catalogue).
En Collection, De Witte Zaal, Gent, (catalogue).
Documenta X, Kassel, (publication).
Espèces d'Espace in Made in France, MNAM, Centre Georges Pompidou, Paris.
Art video / catastrophe et nativité : TV trauma , Musée Royal de Mariemont, Mariemont

 

  • 1996

On-Line, Gent
Arte E Media, Palazzo delle Esposizionni, Roma
Centro Galego De Arte Contemporanea, Santiago De Compostella
The world over - Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam (catalogue)
City Gallery, Wellington
Video from the centre Georges Pompidou, Artist Space, New York
How is everything?, Kunstbunker, Nürnberg
How is everything?, Landesmuseum, Innsbrück
How is everything?, Vereinigung Bildener Künstler, Wiener Secession, Wien

 

  • 1995

Semaine Internationale de Vidéo, St. Gervais-Genève, Geneva (catalogue - publication)
Fri-Art Centre, Fribourg
Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid
Quarters, Old Bonnefanten Museum, Maastricht
TANZ-Geschichten 20 : Hybridance - Vermischung der Genres, Cinemathek, Museum Ludwig, Köln, (museum screening -
website).
Kanagawa Arts Foundation, Japan
Points de Vues / Viewpoint [Images d'Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerpen (catalogue) ;
MNAM, Centre Georges Pompidou, Paris ; Paleis voor Schone Kunsten, Brussel; Cinématheque Yerevan, Armenia ;
Kunstencentrum STUC, Leuven.

 

  • 1994

Vigilando las fronteras, Casa de Cultura de Intxaurrondo, Bilbao (publication).
Musée d'art Moderne et d'Art Contemporaine, Nice.
New Visions, Glasgow
Espace Lyon d'Art Contemporain, Lyon.
The Pleasure Dome, Toronto.
Monitor, Paleis voor Schone Kunsten, Brussel.
Casa de Cultura de Larrotxene Intxaurrondo, San Sebastian.
Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe.

 

  • 1993

Films by young New York filmmakers, W 139, Amsterdam.
In search of..., Information Gallery, New York.

 

  • 1992

The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York, (publication).

 

  • 1991

Never one without the other, Rivington Gallery, New York.

 

  • 1989

De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven (catalogue).

 

 

VIDÉOS & FILMS

 

HOW TO REWIND YOUR DOG, 2015.
THE SHADOW WORLD, 2014.
…BECAUSE SUPERGLUE IS FOREVER, work version of How to rewind your dog, in development with zap-o-matik , short, Belgium, 12min19, color, 2011.
I MAY HAVE LOST FOREVER MY UMBRELLA, 2min54, color, 2011.
YOUTUBE ME AND I TUBE YOU: ON ZAPPING, CLOSE ENCOUNTERS AND THE COMMERCIAL BREAK, 2010.
HITCHCOCK DIDN’T HAVE A BELLY BUTTON: Interview with Karen Black by Johan Grimonprez, 18 min, 2009.
DOUBLE TAKE, 80 min, 2009

 

MANIPULATORS: I’m not horse … , 2006
Installation with monitor and DVD collection (in collaboration with Charlotte Léouzon).

 

BED, 2005
Permanent installation, Gemeentehuis Deerlijk, Harelbekestraat 27, Nov 16, 2005.

 

LOOKALIKE, 1 min, 2005
Ron Burrage professional Hitchcock lookalike

 

LOOKING FOR ALFRED, 2004
A Zapomatik / Film and Video Umbrella co-production in association with Anna Sanders Films, Palais des Beaux-Arts
Bruxelles and The Photographers' Gallery. Made possible by the Flemish Audiovisual Fund Arts Council England and the
Ministry of Culture, Image / Mouvement (Centre National des Arts Plastiques-Paris).
Additional support from Deitch Projects, Riksutstillinger - The National Touring Exhibitions Norway, Yvon Lambert Gallery,
Media Space Inc., Victoria and Productiehuis Rotterdam (Rotterdamse Schouwburg)
Winner of the International Media Award 2005 / Centre for Art and Media ZKM, Karlsruhe / SWR Südwestrundfunk /
ARTE / Swiss DRS

 

HOW TO REWIND YOUR DOG
Film in development with Zapomatik, Ghent/ New York and the Flemish Audiovisual Film Fund (VAF);
Presented at Cinemart 2003, Rotterdam.

 

MAYBE THE SKY IS GREEN AND WE'RE JUST COLORBLIND, 2000-2002.
Videolounge curated for the Museum of Contemporary Art, S.M.A.K., Ghent; Anthony d’Offay Gallery, London; Deitch
Projects, New York; MIT List Visual Arts Center, Cambridge-Boston; Nicolai Wallner Galleri, Copenhagen; Impakt / Flatland
Gallery, Utrecht; Erna Hecey Gallery, Luxembourg; Centro Galego Arte Contemporanea, Santiago de Compostela; Santa
Monica Museum of Art, Los Angeles;
Produced by Zap-o-matik, Ghent/ New York

 

LOST NATION, JANUARY 1999, 18 min., 1999.
Video component of Lost Nation, a Library produced by gOjim 5.1

 

DOROTHY DOESN'T LIVE HERE ANYMORE... , 1997-2001.
Videolounge curated for the Museum für Neue Kunst / Zentrum für Kunst und Medientechnologie, Karlsruhe; The Kitchen,
New York; Gallery 227, Jan van Eyck Academy, Maastricht;
Produced by Büro Friedrich, Berlin and by Zapomatik, Ghent/ New York

 

Dial H-I-S-T-O-R-Y, 68 min., 1997.
Produced by MNAM, Centre Georges Pompidou, Paris and Kunstencentrum STUC, Leuven;
With the support of Documenta X, Kassel; Klapstuk 97, Leuven; Fundación Provincial de Cultura, Diputación de Cadiz;

The Fascinating Faces of Flanders, The Ministery of Flemish Community, Brussels

 

BEWARE! IN PLAYING THE PHANTOM, YOU BECOME ONE, 1994-1998.
Videolibrary curated for MNAM, Centre Georges Pompidou, Paris; Documenta X, Kassel; De Vereniging van het Museum
voor Hedendaagse Kunst, Ghent; Centre pour l’image Contemporaine, Saint-Gervais, Genève; De Beursschouwburg, Brussels;
In collaboration with Herman Asselberghs

 

IT WILL BE ALL RIGHT IF YOU COME AGAIN, ONLY NEXT TIME DON'T BRING ANY GEAR, EXCEPT A TEA KETTLE...
1994-2001
Multichannel video produced by Les Expositions du Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone
Kunsten, Brussels

 

LA FORCE FAIT L'UNION FAIT LA FORCE, 3 min., 1994.
In collaboration with Christine de Smet

 

CORNER OF CANAL AND BROADWAY, 9 min., 1994.
In collaboration with Hans Van den Broeck

 

SMELL THE FLOWERS WHILE YOU CAN, 6 min, 1993.
Produced by Ziggurat, Belgian TV BRT/ TV1
In collaboration with Meg Stuart

 

BESMETTE STAD, 18 min., 1993.
Produced by Ziggurat, Belgian TV BRT/ TV1

 

WELL, YOU CAN'T GO TO CALIFORNIA, THAT'S THE FIRST PLACE THEY'LL LOOK FOR YOU, 10 min.,1993

 

KOBARWENG or WHERE IS YOUR HELICOPTER? 25 min., 1992.
Produced by the School of Visual Arts, New York

 

NIMDOL JUNE 18, 1959 - NIMDOL JULY 6, 1987, 16 min., 1990.
Produced by the STUC, Kunstencentrum, Leuven