Stephen Shore
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STEPHEN SHORE


Born in 1947 in New York.


SOLO SHOWS

 

  • 2008   

Stephen Shore, Roger Ballen Foundation for Photography, The Everard Reed Gallery, Johannesburg, South Africa

 

  • 2007    

The Biographical Landscape, International Center of Photography, New York "The Velvet Years, Warhol's Factory 1965-1967", Sprüth Magers, London

 

  • 2006    

Stephen Shore: American Surfaces, Spruth Magers, Munich, Germany “The Biographical Landscape”, Worcester Art Museum, Worcester, MA; Henry Art Gallery, University of Washington, Seattle

 

  • 2005    

Stephen Shore: American Surfaces, P.S. 1 Contemporary Art Center, Long Island City, New York
Sprüth Magers, Koln, Germany Edwynn Houk Gallery, New York “The Biographical Landscape”, Jeu de Paume, Hotel Sully, Paris; Hammer Museum, Los Angeles; Presentation House, Vancouver, B.C


  • 2004    

The Biographical Landscape, Akademie des Bildenden Kunst, Vienna, Austria Galerie Rodolphe Janssen, Bruxelles

 

  • 2003    

Spruth Magers Lee, London 303 Gallery, New York

 

  • 2002    

Galerie Kammel Mennour, Paris, France Galerie Conrads, Dusseldorf, Germany

 

  • 2000    

303 Gallery, New York, NY “American Surfaces”, Schirmer/Mosel, Munich, Germany

 

  • 1999    

Stephen Shore: Photographs, 1973-1993: Galeria D’Arte Contemporeneo di Comune di Venezia, Mestre, Italy; Musei Comunali, Rimini, Italy; Palazzo Civico, Rubiera, Italy, Spazio “American Surfaces”, SK Stiftung Kultur, Cologne, Germany; Fotografie Forum, Frankfurt, Germany Oberdan, Milan, Italy

 

  • 1998    

Stephen Shore: Photographs, 73-1993: CRAF, Villa Cini, Spilinbergo, Italy

 

  • 1997    

Photographic Resource Center, Boston Nederlands Foto Instituut, Rotterdam

 

  • 1996    

George Eastman House, Rochester, NY

 

  • 1995    

PaceWildensteinMacGill, NYC Rock & Roll Hall of Fame, Cleveland
Stephen Shore: Photographs, 1973-1993: Westfälischer Kunstverein, Munster, Germany; Sprengel Museum, Hannover,Germany; Wurtt. Kunstverein, Stuttghart, Germany; Amerika Haus, Berlin, Germany

 

  • 1992    

Getty Museum [two-person]

 

  • 1990    

Foundation Cartier, Jouy-en-Josas, France [two-person]

 

  • 1989    

Pace/MacGill Gallery, NYC

 

  • 1985    

Center for Creative Photography, Tucson

 

  • 1984    

Art Institute of Chicago

 

  • 1983    

Pace/MacGill Gallery, NYC 1982    Arco Center for the Visual Arts, LA

 

  • 1981    

Fraenkel Gallery, San Francisco Ringling Museum, Sarasota

 

  • 1980    

LIGHT Gallery, LA LIGHT Gallery, NYC

 

  • 1978    

LIGHT Gallery, NYC

 

  • 1977    

Kunsthalle, Dusseldorf LIGHT Gallery, NYC

 

  • 1976    

Renwick Gallery, National Collection of Fine Arts, Washington Museum of Modern Art, NYC

 

  • 1975    

LIGHT Gallery, NYC

 

  • 1973    

LIGHT Gallery, NYC

 

  • 1972    

LIGHT Gallery, NYC

 

  • 1971    

Metropolitan Museum of Art, NYC

 

GROUP SHOWS

 

  • 2008    

Philip-Lorca diCorcia, Mitch Epstein, Stephen Shore, Galerie Rodolphe Janssen, Brussels, Belgium

 

  • 2007    

Easy Rider: Road Trips Through America, Yancey Richardson Gallery, New York.
Warhol on Warhol, La Casa Encendida, Madrid, Spain
Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, Long Island City, NY

 

  • 2007    

Stephen Shore, Louise Lawler, Jacques De Backer, Maison de la Culture de Namur, Belgium.

 

  • 2006    

Self-Portraits, Luhring Augustine, New York, NY
A Complex Eden: Photographs of the American West, Museum of Fine Arts, St. Petersburg, FL
Strange Drugs, Galerie Rodolphe Janssen, Brussels, Belgium
Making Panhandle Pictures, Amarillo Museum of Art, Amarillo, TX

 

  • 2005    

PhotoEspaña 2005, Madrid, Spain

 

  • 2004    

Art and Architecture Palazzo Ducale, Genova
Best of Blick in Die Sammlung: Die Photographische Sammlung
Social Creatures: How Body Becomes Art, Sprengel Museum, Hannover
Cakewalk, Ambrosino Gallery, Miami FL
Stephen Shore / Thomas Struth, Pinakothek Der Moderne, Munich, Germany

 

  • 2003    

Cruel and Tender, Tate Modern, London, U.K.

 

  • 2002    

Gravity Over Time, curated by John Pilson, Gallery 1000 Eventi, Milan, Italy
American Standard: (para)Normality and Everyday Lif, curated by Gregory Crewdson, New York, NY (exh.cat)

 

  • 2002    

Pictures, Greene Naftali, New York, NY

 

  • 2001    

Overnight to Many Cities, 303 Gallery, New York, NY “Settings and Players: Theatrical Ambiguity in American Photography”, curated by Louise Neri, White Cube, London, U.K.

 

  • 2000    

Andy Warhol: A Factory, Guggenheim Museum, New York

 

  • 1999    

Photographic Innovators, 1840s-1990s, Victoria & Albert Museum, London
The Promise of Photography, P.S.1, New York
The American Century, 1950-2000, Whitney Museum, New York, NY
Andy Warhol: Photography, Hamburger Kunsthalle, Germany
Veiws from the Edge of the World, Marlborough Chelsea, New York, NY
Andy Warhol: A Factory, Kunsthalle Wein, Vienna, Austria; Palais des Beaux- Arts, Brussels, Belgium; Guggenheim Museum, Bilbao, Spain

 

  • 1998    

Andy Warhol: A Factory, Kunstmuseum Wolfsburg, Germany
Metropolitan Museum of Art, New York, NY

 

  • 1997    

Capturing Time, J. Paul Getty Museum, LA Metropolitan Museum of Art, New York, NY

 

  • 1996    

Breuer’s Whitney, Whitney Museum, New York, NY

 

  • 1995    

American Studies, Aktionsforum Praterinsel, Munich, Germany

 

  • 1992    

Flora Photographica, South Bank Art Centre, London

 

  • 1991    

The Pleasures and Terrors of Domestic Comfort, Museum of Modern Art, New York, NY [traveling]

 

  • 1989    

On the Art of Fixing a Shadow, National Gallery, Washington, DC; Art Institute of Chicago

 

  • 1987    

Nuovo Paesaggio Americano, Palazzo Fortuny, Venice

 

  • 1985    

Images of Excellence. Photographs from the George Eastman House Collection [traveling]
American Images 1945-1980, Barbican Gallery, London

 

  • 1982    

International Photography, 1920-1980, Australian National Gallery, Canberra “Counterparts”, Metropolitan Museum of Art, NYC [traveling]

 

  • 1980    

Acquisitions 1973-1980, George Eastman House, Rochester
Mirrors and Windows, Museum of Modern Art, NYC [traveling]

 

  • 1979    

American Photography in the 70’s, Art Institute of Chicago
American Images, Corcoran Gallery, Washington; International Center of
Photography, NYC; Museum of Fine Arts, Housten; Minneapolis Institute
of Arts

 

  • 1977    

Court House, MoMA & Art Institute of Chicago

 

  • 1976    

100 Master Photographs from the Collection of the Museum of Modern Art [traveling]

 

  • 1975    

New Topographics, George Eastman House, Rochester [traveling]

 

  • 1973    

Landscape/Cityscape, Metropolitan Museum of Art, NYC

 

PUBLICATIONS

 

  • 2004    

A Fluttering Knuckleball: Lunch with Stephen Shore and Tim Davis, Blind Spot, issue 26

 

  • 2003    

Stephen Shore, Artforum, May, XLI, No.9

 

  • 2000    

Stephen Shore with Peter Halley, index, NYC, April/May, vol.4, no.5, pp. 26-36

 

  • 1999    

Andy Warhol: Photography, Christoph Heinrich, Hamburger Kunsthalle

 

  • 1998    

Andy Warhol, A Factory, Germano Celant, Kunstmuseum Wolfsburg

 

  • 1992    

Edward Hopper und die Fotographie, G.-W. Koltzsch & H. Liesbrock, DuMont

 

  • 1987    

American Independents, Sally Eauclaire, Abbeville Press Nuovo Paesaggio Americano, Paolo Constantini, ed., Edizioni Electa

 

  • 1986    

The Capitol in Albany, intro. by William Kennedy, Aperature

 

  • 1985    

Architecture in Continuity, Sherban Cantacuzino, ed., Aperature

 

  • 1984    

New Color/New Work, Sally Eauclaire, Abbeville Press

 

  • 1982    

Annie on Camera, Anne Hoy, Abbeville Press

 

  • 1981    

The New Color Photography, Sally Eauclaire, Abbeville Press

 

  • 1979    

American Images, Renalto Danese, ed., McGraw/Hill “The Framing of Stephen Shore”, Tony Hiss, American Photographer, Feb.

 

  • 1978    

Court House, Richard Pare, ed., Horizon Press.

 

  • 1977    

Photography Year/1977, Time-Life Books

 

  • 1976    

Stephen Shore, Camera, Jan

 

BIBLIOGRAPHY

 

  • 2004    

Pitman, Joanna, “Requiem for a Lost America”, The London Times, January 6

 

  • 2003    

Beshty, Walead, “The City Without Qualities: Photography, Cinema, and the Postapocalyptic Ruin”, “influence, issue 01, pp. 50-61
Ratner, Megan, review, art on paper, November/December, Vol.8, No.2, p.68
Aletti, Vince, review, Village Voice, October 8–14, vol. XLVIII, no. 41 p.160
Ribas, Joao, review, Flash Art, October, vol. 36, no. 232, p.117
Review, The New Yorker, September 29, p. 26-27
Highlights, Time Out, New York, Issue No. 414, September 4-11, p.16
More More More, The Village Voice, Feb. 3rd
Artist Project: Stephen Shore, Tate Art and Culture, May/June , pp. 64-80 Douglas, Sarah, review, The Art Newspaper, No. 139, September, p.5
Schjeldahl, Peter, Alone with Baseball, Aperture, #172, fall, pp. 18-23

 

  • 2002    

Lafreniere, Steve, “Top Ten”, Artforum, May, Vol.XL, No.9, p. 47

 

  • 2001    

Coomer, Martin, review, Time Out, London, 4-11 April, p. 53
Denes, Melissa, “America Caught Off-Balance”, The Sunday Telegraph Magazine, 25 February, pp. 38-40 Liesbrock, Heinz & Weski, Thomas (editors), How You Look At It: Photographs of the 20th Century, Distributed Art Publishers, Inc., New York, 2000, pp. 242-244
Schmerler, Sarah, review, Time Out New York, June 1-8, no. 245, p. 91
Lens Crafters, Julie L. Belcove, W, NYC, May, pp. 186-189
Jones, Kristin M., Stephen Shore, 303 Gallery, New York, review, frieze, Issue 54, Sept-Oct, p. 117

 

  • 1999    

An American Century of Photography, 2nd edition, Keith Davis, Hallmark
Photography from 1839 to Today, George Eastman House, Tascheb
The American Century, 1950-2000, Lisa Phillips, Whitney Museum

 

  • 1997    

The Photography Book, Ian Jeffrey, Phaidon Press

 

  • 1992    

Flesh & Blood, Essays by Ann Beattie and Andy Grundberg, The Picture Project

 

  • 1991    

The Pleasures and Terrors of Domestic Comfort, Peter Galassi, Museum of Modern Art

 

  • 1989    

On the Art of Fixing a Shadow, Travis Westerbeck, et al., Bullfinch Press

 

  • 1986    

Masterpieces of Photography from the George Eastman House Collection, Robert Sobieszek, Abbeville Press

 

  • 1971    

The City, Peter Bunnell, ed. of photographs, Oxford Univercity Press, NYC


BOOKS AND CATALOGUES

 

  • 2007    

Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, Musée des Arts Contemporains au Grand-Hornu. Paris

 

  • 2006    

The Nature of Photographs, Stephen Shore, Phaidon

 

  • 2005    

American Surfaces, Stephen Shore, Phaidon

 

  • 2004    

Uncommon Places: The Complete Works, Stephen Shore, Aperture

 

  • 2003    

Cruel and Tender, Tate Modern, London

 

  • 2002    

Essex County, Stephen Shore, Nazraeli Press/Chris Pichler
Stephen Shore Uncommon Places 50 Unpublished Photographs 1973-1978,
Stephen Shore, Walter Conrads & Kamel Mennour

 

  • 1999    

American Surfaces, Stephen Shore, Schirmer/Mosel

 

  • 1998    

The Nature of Photographs, Stephen Shore, John Hopkins

 

  • 1995    

The Velvet Years: Warhol’s Factory, 1965-1967, Stephen Shore, Thunder’s Mouth
Stephen Shore: Photographs 1973-1993, intro. by James Enyeart, Schirmer/Mosel

 

  • 1993    

Stephen Shore: Luzzara, Stephen Shore, Arcadia Edizioni The Gardens at Giverny, Stephen Shore, Aperature

 

  • 1982    

Uncommon Places, Stephen Shore, Aperature

 

  • 1968    

Andy Warhol, Moderna Museet, Stockholm

 

PUBLIC COLLECTIONS

 

 

Metropolitan Museum of Art, NYC
Museum of Modern Art, NYC
George Eastman House, Rochester, NY
Center for Creative Photography, Tucson, AZ
Library of Congress, Washington, DC
Art Institute of Chicago
Museum of Fine Arts, Boston
San Francisco Museum of Modern Art
Whitney Museum of American Art, NYC
Amon Carter Museum, Fort Worth, TX
Seattle Art Museum Museum of Fine Arts, Housten