HUANG YONG-PING

Born in 1954 in Xiamen, , China. Lives and works in Paris since 1989.

 

 

SOLO SHOWS

 

• 2013

Huang Yong Ping : Amoy/Xiamen, MAC, Musée d’art contemporain de Lyon, France.
Abbotabad 2012, dans le cadre de Marseille-Provence 2013, Hôtel de Gallifet, Aix-en-Provence, France.

 

• 2012

Bugarach, kamel mennour, Paris.

Lille 3000, Fantastic, Musée de l'Hospice Comtesse, Lille, France.

 

• 2011

Huang Yong Ping, Nottingham Contemporary, Nottingham.

 

• 2010

Wu Zei, Musée Océanographique de Monaco.

 

• 2009

Arche 2009, Chapelle des Petits Augustins, Ecole Nationale Supérieure des Beaux-Arts, Paris.
Caverne 2009, kamel mennour, Paris.
Tower Snake, Barbara Gladstone gallery, New York.

 

• 2008

House of Oracles, Ullens center for Contemporary Art, Beijing
Ping Pong, Astrup Fearnley Museum of Modern Art, Oslo, Norway
Ping Pong, Kunsthallen Brandts, Odense, Denmark
Frolic, Barbican Art Gallery, London, UK.

 

• 2007

From C to P, Gladstone Gallery, New York.
House of Oracles, Vancouver Art Gallery, Canada.

 

• 2006

Panthéon, Ile de Vassivière, France.
Les Mains de Bouddha, Galerie Anne de Villepoix, Paris, France.
House of Oracles, MASS MOCA, North Adams, Massachusetts, USA.

 

• 2005

House of Oracles, Walker Art Center, Mineapolis, USA.

 

• 2003

Un cane italiano, Galerie Beaumont, Luxembourg.

 

• 2002

Xian Wu, Art & Public, Genéve, Suisse.
Om Mani Padme Hum, Barbara Gladstone Gallery, New York, USA.

 

• 2000

Taigong fishing, Willing to Bite the Bait, Galerie Jack Tilton, New York, USA.

 

• 1999

Crane's legs, Deer's tracks. Project Galerie à CCA Kitakyushu, Japon.

 

• 1997

HUANG Yong-Ping, Galerie Jack Tilton, New York, USA.
HUANG Yong-Ping, De Appel, Amsterdam, Holland.
Da Xian-The Doomsday, Art & Public, Genève, Suisse.
Le sage suivant l'exemple de l'araignée qui tisse sa toile", Galerie Beaumont, Luxembourg.
Péril de mouton, Fondation Cartier pour l'Art contemporain, Paris, France.

 

• 1996

Trois pas, Neuf traces, Atelier d'Artistes de la Ville de Marseille, France.

 

• 1995

Pharmacie, Galerie Fromen & Putman, Paris, France.

 

• 1994

Kearny Street, Capp street Project, San Francisco, USA.
Chinese Hand-Laundry, New Museum of Contemporary Art, New York, USA.

 

• 1993

1 & 108, Akademie Schloss Solitude, Stuttgart, Allemagne.

 

• 1992

La maison d'augure, Galerie Fromen & Putman,Paris, France.

 

• 1991

Réapparition de la Croix-Rouge,Hopital Ephémère, Paris, France.
Nous devons encore construire une grande cathédral, Galerie Fenster, Francfort, Allemagne.

 

• 1990

Sacrifice au feu, (Cézanne, Saint-Victoire 1990), L'Ecole des Beaux-Arts d'Aix-en-Proence, France.
HUANG Yong-Ping, L'Ecole des Beaux-Arts d'Avignon, France.
HUANG Yong-Ping, L'Ecole des Beaux-Arts de Rouen, France.

 

 

GROUP SHOWS

 

• 2013

Dinard, L'Amour Atomique, Palais des Arts et du Festival de Dinard, France.

 

• 2012

Shanghai ! La tentation de l’Occident, Institut Culturel Bernard Magrez, Hôtel Labottière, Bordeaux, France.

Estuaire Nantes<>Saint-Nazaire, Serpent d'océan, création pérenne, Nantes & Saint-Nazaire, France.

 

• 2011

L’étoffe du temps, Hôtel Labottière, Institut Culturel Bernard Magrez, Bordeaux, France.

Artistes chinois à Paris, Musée Cernuschi, Parc Monceau, Paris, France.

Musée mobile, musée itinérant en France, Cameroun, Côte d'Ivoire, Bénin et Sénégal.

 

• 2010

Reshaping History, Chinart from 2000 to 2009, CNCC, Beijing, China.
Le Jardin emprunté, Jardins du Palais Royal, Paris.
Yan Pei-Ming, Destinies & Huang Yong Ping, 08.02.10, Carlson Gallery, London, UK.

 

• 2009

Le spectacle du quotidien, 10th Lyon Biennale, Lyon.
4th Fukuoka Asian Art Triennale, Fukuoka, Japan.
3rd Moscow Biennale, Moscow, Russia.
Fare Mondi / Making Worlds, 53rd Venice Biennale, Venice.
Mapping the Studio: Artists from the François Pinault Collection, Punta della Dogana – François Pinault Foundation,
Venice.

 

• 2008

Medium Religion, ZKM | Museum for Contemporary Art, Karlsruhe, Germany.
Artseason, The China Academy of Art, Hangzhou, China.
God & Goods, Villa Manin Centre d’Art Contemporanea, Italy.
Traces du Sacré, Centre Pompidou, Paris, France.
Traces du Sacré, Haus der Kunst, Munich, Germany.
China Power Station III, Musée d’Art Moderne Grand-Duc Jean, Luxembourg.
Avant-Garde China : Twenty years of Chinese Contemporary Art, The National Art Center, Tokyo, Japan.
Avant-Garde China : Twenty years of Chinese Contemporary Art, The National Museum of Art, Osaka, Japan.

 

• 2007

85’ New Wave, The Birth of chinese contemporary art, Ullens center for contemporary Art, Beijing 798, China.
Global multitude, European Capital of Culture 2007, Luxembourg and Greater Region.
The Yan Pei-Ming Show, Galleria Massimo de Carlo, Millan, Italy.
10th International Istanbul Biennial, Istanbul, Turkey.

 

• 2006

The Unhomely, 2nd International Biennial of Contemporary Art of Seville, Espagne.
Wherever we go, Museo di Fotografia Contemporanea, Milan, Italie.
Uitnodiging,Kunstvereniging, Diepenheim, Holland.
Biennale Internationnale de Ceramique Contemporaine Vallauris, France.
La force de l’Art grand Palais 2006, Paris, France.

 

• 2005

Contrepoint,de l’objet d’art à la sculpture, Louvre, Paris, France.
Biennal de Chine, Montpelier, France.
Wall, The China Millennium Altar, Beijing, China.

 

• 2004

Odyssée 2004, Shanghai Gallery, Shanghai, China.
Sâo Paulo Biennial 26, Sâo Paulo, Brésil.
Liverpool biennial, Liverpool, UK.
Le moine et le démone, Musée d’Art Contemporain de Lyon, Lyon, France.
A l’ouest du sud de l’est/A l’est du sud de l’ouest, Villa Arson, Nice, / CRAC Centre Régional d’Art Contemporain,
Sète, France.
All under heaven, Ancient and contemporary Chinese art The Collection ofthe Guy & Myriam Ullens Foundation,
MuHKA (Museum of Contemporary Art Antwerp), Antwerp, Belgium.
Lingchi: YanPeiMing et Huang Yong Ping, Musée Denon, Chalon-sur-Saône, France.
This much is certain, Royal college of Art, London, UK.

 

• 2003

Left wing,Left Bank community, Pekin , Chine.
New Zone Chinese Art, The Zacheta Gallery of Contemporary Art, Varsowie, Pologne.
Edges of the Earth, China Academy , Hang Zhou, Chine.
Yankee Remix: Artists Take on New England, Mass Moca, USA.
Z.O.U-Zone of Urgency, The 50th Venice Biennal, Venice, Italie.
Arte y naturaleza II, Montenmedio Arte Contemporaneo, Espagne.
Lingchi : YanPeiMing et Huang Yong Ping, Musée Denon, Chalon, France.

 

• 2002

Reinterpretation: A Decade of Experimental chines Art (1990-2000), Guang Dong Museum of Art, Chine.
Art Unlimite, Art 33 Basel, Suisse.
Recolt, Museum of agriculture, Beijing, Chine.
Biennal Sao Paulo, Brésil.

 

• 2001

Huang Yong Ping & Shen Yuan, Center d'Art contemporary Quebec, Canada.
Internationa Triennal of Contemporary Art Yokohama 2001, Yokohama, Japan.
Re-Configuration: Work on Paper, The Courtyard Gallery, Beijing; Modern Chinese Art Foundation, Gent, Belgique.
Made in Asia ? Duke University Museum of Art, Durham, North Carolina, USA.
Troubler l'écho du temps, oeuvre de la collection, Lyon, France.

 

• 2000

Paris pour escale, Musée d'Art Moderne de la Ville de Paris, France.
Biennal Shanghai, Shanghai, Chine.
Voilà, le monde dans la tête, Musée d'Art Moderne de la Ville de Paris, France.
Unnatural Science, MASS MOCA, North Adams, MA, USA.
3 Räume-3 Flüsse, Hann, Münden, Allemagne.
La beauté, Le Palais des Papes, Avignon, France.
Continental shift, Musée d'Art Moderne et d'Art Contemporain, Liége, Belgique.
Over the Edges, Stedelijk Museum voor Actuele Kunst, Gand, Belgique.
Parcours Saint-Germain-des-prés, Maison de la Chine, Paris, France.

 

• 1999

Zeitwenden, Kunstmuseum Bonn, Allemagne.
Kunstwelten im Dialog, Museum Ludwig , Köln, Allemagne.
Sultan's Pool, Israel festival, Jerusalem, Israel.
Passage : New Franch Art. Setagaya Art Museum, Tokyo, Japon.
Flashes, Collection Fondation Cartier pour l’Art Contemporain, Centro cultural de Belém,Lisbon, Portugal.
V O C, Handle with care, Huang Yong Ping & Yang Mao-Lin, at Ateneo San Basso, Venise, Italie.
The 48th Venice Biennale, Jean-Pierre Bertrand et Huang Yong Ping,French Pavillon, Venise, Italie.
Passage. Watari-Um, Tokyo, Japon.
Global Conceptulism : Points of Origin 1950 – 1980, Queens Museum of Art, New York, USA.
Unfinished History. Museum of modern Art, Chicago, USA.
Inside out : New chinese Art, Asian Art Museum, San Francisco, USA.
Cities on the move 4. Louisiana Museum of modern Art, Denmark.

 

• 1998

Gare de l'Est, Casino Luxembourg Forum d'art contemporain. Luxembourg.
Inside out : New chinese Art. PS1 and Asia Society Galleries, New York, USA.
Cities on the move 3. PS1, New York, USA.
Unfinished History, Walker Art Center, Minneapolis, USA.
Hugo Boss Prize 1998, The Guggenheim Museum Soho, New York, USA.
Être nature, Fondation Cartier pour l'art contemporain, Paris, France.
Cites on the move 2, Capc Musée d'Art Contemporain de Bordeaux, France.
Huang Yong Ping and Xu Bing, Art Beatus, Vancouver, Canada.

 

• 1997

Cities on the move, Secession, Wien, Autriche.
Johannesburg Biennale 97, Johannesburg, Afrique du Sud.
Open Air Sculpture Symposium, Tong Young, Corée.
97 Kwangju Biennale, Kwangju, Corée.
Truce : Echoes of Art in an Age of Endless Conclusion Site Santa Fe, Santa Fe, USA.
In between Limits, Sonje Museum of Contemporary Art, Kyongju, Corée.
Verpachtetes Erbe, Museum für Kunsthandwerk, Frankfurt, Allemagne.
Sculpture project in Münster 1997, Münster, Allemagne.
Parisien(en)s, Camden Arts Centre, London, UK.
Promenade in Asia 2, Shiseido Galerie, Tokyo, Japon.

 

• 1996

Face à l'Histoire, Centre Georges Pompidou, Paris, France.
Linien & Zeichen, Kunstlerhaus Bethanien, Berlin, Allemagne.
Steirischer herbst 96, (Inclution-Exclution), Reinighaus, Graz, Autriche.
Manifesta 1, Natural History Museum Rotterdam, Holland.

 

• 1995

Unser Jahrhundert, Menschenbilder-Bilderwelten, Museum Ludwig Köln, Allemagne.
Galerie des 5 Continents, Musée national des Arts d'Afrique et d'Océanie, Paris, France.
Ripple Across the watre, The Watari-um Museum of Contemporary Art, Tokyo, Japon.
6 Triennal Febach 1995 ,SüdwestLB Forum Stuttgart, Stuttgart, Allemagne.

 

• 1994

Heart of Darkness, Stichting Kröller-Müller Museum, Ottero, Holland.
Hors-Limites,(L'Art et La Vie 1952/1994), Centre Georges Pompidou, Paris, France.
A collection,(Fondation Cartier pour l'Art Contemporain), National Museum of Contemporary Art, Séoul, Corée.
Huang Yong Ping et Matej Kren, Fondation Cartier pour l'Art Contemporain, Paris, France.
Out of the Centre, Porin Taidemuseo, Pori, Finland.
5 Internationale Biennal der Papierkunst, Eopold-Hoesch Museum, Düren, Allemagne.
Hommages à Marcel Duchamp, Ecole Régionale des Beaux-Arts, Rouen, France.

 

• 1993

Fragmented Memory: The chinese Avant-Gard in Exile, Wexner Center for the Arts, Ohio, USA.
Rendez(-)vous, Musée Van Hedendaagse, Gant, Belgique.
Silent Energy, Museum of Modern Art, Oxford, UK.
Coalition, Centre for Contemporary Art, Glasgow, UK.
Intervention dans Collection, Musée de l'Assistance Publique, Paris, France.
China Avant-Garde, Haus der Kulturen der Wely, Berlin, Allemagne.

 

• 1992

Parcours Privés 1992, Paris, France.
Résistance, Watari-um Museum of Contemporary Art, Tokyo, Japon.
Lifisize, Museo d'Arte Contemporanea, Prato, Italie.

 

• 1991

Carnegie International 1991, The Carnegie Museum of Art, Pittsburg, USA
Exceptional Passage, Fukuoka, Japon
Carte Blanche à André Magnin, Galerie Fromen & Putman, Paris, France.

 

• 1990

Rencontres Internationales Architecture Textile, Nime, France.
Chine demain pour hier, Pourrières, France.

 

• 1989

Métissage, Croisement, .F.R.A.C. Marseille, France.
Magiciens de la Terre, Centre Georges Pompidou et Grande Halle de la Villette, Paris, France.
Chine Avant-Garde, China National Art Gallery, Beijing, Chine.

 

• 1986

Events, Museum of fine Arts of Fujian, Fujian, Chine.
Xiamen Dada, Maison de la Culture de Xiamen, Chine.

 

• 1983

Exhibition of Five Artists, Cultural Palace of Xiamen, Xiamen, Chine.

 

 

PUBLICATIONS & PRESS

 

• 2013

Paire, Alain, Abbottabad, Galerie Alain Paire.com, January 15.
Huang Yong Ping : Art & Space, bob, International Magazine of Space Design, n° 102, January.
La fin du monde, Le Point, January 10.

 

• 2012

Chauvel-Lévy, Léa, Slash.fr, December 27.
Azimi, Roxana, En attendant la fin du monde, Le Quotidien de l’Art, December 18.
Montpezat, Charlotte, Huang Yong Ping et la fin du monde, Le Huffington Post, December 16.
Moulène, Claire, L’art de la disparition, Les Inrockuptibles, December 10 to 18.
Biétry-Rivierre, Éric ; Frat, Muriel ; Jacquot, Bruno, Après la fin du monde, le spectacle, Le Figaro, December 1 to 2.
Blanc, Dominique, Huang Yong Ping : Entre deux rives, Connaissance des Arts, October.
Prouteau, Eva, Estuaire : le paysage, l’art et le fleuve, 303 Arts, Recherches et Créations, Summer.
Portier, Julie, De Nantes à Saint-Lazare, L’art à flot, Le Quotidien de l’Art, June 21.
Laurent, Tom, Shanghai !, Art Absolument, May / June.
Hermet, Benoît, Shanghai, la traversée du miroir, Le Festin, Spring.
Maerkle, Andrew, Huang Yong Ping, Art It Asia, April 2.

 

• 2011

Alexandre, Jérôme ; Beaud, Marie-Claude ; Bernadac, Marie-Laure ; Calcagno, Robert ; Dawei, Fei ; de Loisy, Jean ; Huang Yong Ping ; Laporte, Arnaud ; Leydier, Richard ; Martin, Jean-Hubert ; Morgan, Jessica ; Tiberghien, Gilles A., Huang Yong Ping : Wu Zei, éditions kamel mennour & Nouveau Musée National de Monaco, April.

 

• 2009

de Loisy, Jean ; Tiberghien, Gilles A. ; Leydier, Richard, Huang Yong Ping : Myths, éditions kamel mennour, November.
Five Artists for 2008, ArtAsiaPacific, Almanac 2009, p.94.
Galleries, ArtAsiaPacific, Almanac 2009, p. 117.
Art Festivals, ArtAsiaPacific,, Almanac 2009, p. 85.
Japan, ArtAsiaPacific, Almanac 2009, p. 193.
Papers in Order?: How to bring an elephant from Oslo to Odense, Kunsthallen Brandts Yearbook, 2009, pp. 30-36.

 

• 2008

Huang Yong Ping: Artist Interview, The Art Newspaper, July/August 2008, p. 35.
The Art of Visiting Oslo, Art World, February 2008, p. 17.
Huang Yong Ping Installation Taken Off Display, The Art Newspaper, March 2008, p. 11.
Huang Yong Ping, Art Actuel, March, 2008, pp. 56-57.

 

• 2007

Bush, Kate, Provisional Authority: Skulptur Projekte Munster 07, Artforum, September 2007, p. 419-423.
Jansen, Gregor, Huang Yong Ping, China Art Book, DuMont, Köln, p. 152-159.
Chiu, Melissa, Discourses of East and West, Breakout: Chinese Art Outside China, Charta 2007, p. 115-159.
Gioni, Massimiliano, Where the Wild Things Are, Tate, etc, Autumn 2007, p. 35.
Morgan, Robert C., Huang Yong Ping, Tema Celeste, May/June 2007, pp. 70-71.
Ruiz, Cristina and Vanessa Fewster, Installation withdrawn from retrospective, then sold at action, The Art Newspaper, February 15, 2007.
Morgan, Robert, Huang Yong Ping, Tema Celeste, May/ June p. 70.

 

• 2006

Huang Yong-Ping, Tema Celeste, Sept/Oct 2006, p. 106.
Cotter, Holland, Rattler of Cages, From China to Europe, The New York Times, April 14, 2006, p. E29, 36.
Spalding, David, Guan Yi, Contemporary 21, issue 80, pp. 116-117
Heartney, Eleanor, House of Huang, Art in America, March 2006, pp. 118-125, 163, ills. (cover)

 

• 2005

Leffingwell, Edward, The Extraterritorial Zone, Art in America, Feb. 2005, p. 51.

 

• 2003

Artworld, Art in America, January 2003.

 

• 2002

Kerr, Merrily, Huang Yong Ping, Flash Art, May / June 2002.
Smith, Roberta, Huang Yong Ping, The New York Times, February 1, 2002.
Huang Yong Ping at Barbara Gladstone Gallery, Artforum, January 2002, p. 33.
Sand, Olivia, Huang Yong Ping, Asian Art, April 2002.
Wei, Lilly, Huang Yong Ping at Barbara Gladstone Gallery, Art In America, May, 2002.

 

• 2001

Huang Yong Ping at Jack Tilton, Art in America, v. 89 n°1 January, p. 111-12.

 

• 2000

Huang Yong Ping: Jack Tilton, New Art Examiner, v. 28 n°3 November, p. 54-5.

 

• 1999

David, Chan, View 3, C Magazine, n°63, September / November, p. 28-31.
Bertrand, Jean-Pierre, Licht wird zu Materie, interview, Kunstforum 1999 International, n°147, Sept/Nov, p. 298-303.
Frankreich, Kunstforum International, n°147, September / November, pp. 102-5.
Huang Yong Ping: cultural differences and negotiation, Flash Art (International Edition), v. 32, n°207, Summer, pp. 114-15.
Crise et confiance, Connaissance des Arts, no°563, July / August, p. 5.
Biennale de Venise 99: les temps forts, Beaux Arts Magazine, n°181, June, pp. 91-3.
Huang Yong Ping, L'Oeil (Lausanne, Switzerland), n°507, June, pp. 50-3.
La Biennale de Venise cote France, L'Oeil (Lausanne, Switzerland), n°507, June, p. 45.

 

• 1998

Huang Yong Ping and Xu Bing, Art Beatus, Vancouver, C Magazine, n°59, September / November, p. 38.

 

• 1997

Parisien(ne)s: Huang Yong Ping, Art Monthly, no. 204 Mar., pp. 30-3.
Vedrenne, Elisabeth, Ping, l’actualité reboudit, Beaux Arts, 154, March, p. 27
Hunt, Ian, Huang Yong Ping, Art Monthly, 204, March, pp. 30-33
Mitchell, Charles Dee, Report from Santa Fe, Art in America, Nov., pp. 42-47

 

• 1996

Schröder, Gerhart, Schwelle, Jahrbuch 3, Akademie Schloss Solitude, pp. 45-47.
Holmes, Brian, The Gallery of Five Continents, World Art #2, pp. 88, 89.
Sans, Jérõme, Huang Yong Ping, Artforum International, May, v. 34, pp. 110-111.

 

• 1995

Boussand, Juliette, Le Théâtre du Monde de Huang Yong Ping… Hors Limites?, ArtPrésence 13, Winter, pp. 30-34.
Hanru, Hou, Huang Yong Ping, Technikart, 18, May / June, pp. 32, 33
Art(c)-en-ciel: five artists in the five continents gallery, Cimaise, v. 42, November / December, pp. 45-50.
Huang Yong Ping and Chen Zhen at the New Museum, Art in America, v. 83, Jan.uary, pp.104-5.

 

• 1994

Hanru, Hou, Departure Lounge Art, Chinese Artists Abroad, Art and Asia Pacific, vol. no. 1, February, pp. 40-41.
Hanru, Hou, Huang Yong Ping, Flash Art, vol. 178, October, p. 85.
Jouanno, Evelyne, Out of the Centre or Without the Centre,Third Text, no. 28/29, Autumn / Winter, pp. 196-198.

 

• 1993

Hanru, Hou, Le Plaisir du Texte, Flash Art, November / December, p. 65 (interview).

 

• 1992

Ung Chan Lack, Ten Years of the Chinese Avant-Garde, Flash Art, 162, January / February, p.113.
Deitcher, David, Art on the Installation Plan, Artforum, January, p.82.
Obrist, Hans-Ulrich, The Installation is Coming Through the Backdoor, MetaKünstlerhaus Stuttgart, pp. 72, 73.
Jinkner-Lloyd, Amy, Report from Pittsburgh, Art in America, June, p. 44.
Ardenne, Paul, Huang Yong Ping, Art Press, 170, p. 101.
Hanru, Hou, Huang Yong Ping, Flash Art, May / June, 1992, p. 120.

 

• 1991

Huang Yong Ping, Bedeutendes, das völlig leer ist (Dada) und (zen), Gebrochene Bilder, Junge Kunst aus China, Horlemann, pp. 123-137.
Huang Yong Ping, (8) (h), Jahresring 38, Der öffentliche Blick Verlag silkeschreiber, pp. 212-225.
Legros, Hervé, La longue marche des artistes chinois, Beaux Arts 87, February, p. 99.
Hanru, Han, Interview Huang Yong Ping, Jiangsu Art Monthly, n°12, p. 19.

 

• 1990

Aubé, Dominique, Huang Yong Ping, Art Press, 149, July / August, p. 98.

 

• 1989

Huang Yong Ping, Dossier: Les Magiciens de la Terre. Cinq questions à des artistes non occidentaux, Art Press, 136, May, p. 48.
Dawei, Fei, Chine/Avant-Garde, Art Press, 141, November, pp. 8, 28-34.

 

• 1985

Huang Yong Ping, Painting with Industrial Technology: Looking for New Substitutions, Leonardo, vol. 18, n°2, pp. 91-95.