Alfredo Jaar
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ALFREDO JAAR
Born in 1956 in Santiago, Chile. Lives and works in New York.

  • SOLO SHOWS

 

2016
“ Alfredo Jaar : Shadows ” , kamel mennour, Paris, France
“ Alfredo Jaar: Napoli ” , Napoli, Galleria Lia Rumma, Napoli, Italia
“ Alfredo Jaar: The Sound of Silence ” , Wits Art Museum, Johannesburg, South Africa
“ Alfredo Jaar: Amílcar, Frantz, Patrice and the Others ” , Goodman Gallery, Johannesburg,
South Africa

2015
“ Nous l’avons tant aimée ”  , la révolution, MAC Marseille, France
“ The Sound of Silence ” , galeria Ready, Santiago, Chile
“ Alfredo Jaar: Shadows ” , Galerie Lelong, New York, USA
“ Alfredo Jaar: Gold in the Morning ” , Galeria Luisa Strina, Sao Paulo, Brazil

2014
“ The Sound of Silence ” , Center of Contemporary Art, Torun, Poland
“ Alfredo Jaar: Estudios sobre la Felicidad ” , Parque de la Memoria, Buenos Aires, Argentina
“ Alfredo Jaar: Muxima ” , San Diego Museum of Art, San Diego, USA
“ Alfredo Jaar: Shadows ” ,  SCAD Museum of Art, Savannah, USA
“ Alfredo Jaar: Tonight No Poetry Will Serve ” , Museum of Contemporary Art Kiasma,
Helsinki, Finland
“ Alfredo Jaar: The Sound of Silence ” , Center of Contemporary Art, Torun, Poland
“ Alfredo Jaar: The Sound of Silence ” , Galeria Patricia Ready, Santiago, Chile
“ 22 Women ” , SKMU Sørlandets Kunstmuseum, Kristiansand, Norway

2013
“ Alfredo Jaar: Abbiamo amato tanto la rivoluzione ” , Fondazione Merz, Torino, Italy
“ Alfredo Jaar, High Museum of Art ” , Atlanta, USA
“ Alfredo Jaar ” , Luci d’Artista , Torino, Italy
“ Alfredo Jaar: The Politics of Images ” , Ryerson Image Centre, Toronto, Canada
“ Alfredo Jaar: The Sound of Silence ” , Nederlands Fotomuseum, Rotterdam, Netherlands
“ Alfredo Jaar ” , Pavilion of Chile, Venice Biennale, Italy.
“ Alfredo Jaar: La politique des images ” , Les Rencontres d’Arles, Arles, France
“ Alfredo Jaar, The Sound of Silence ” , Art Unlimited, Basel, Switzerland
“ Alfredo Jaar: The Sound of Silence ” , Malmö Konsthall, Malmö, Suède
“ Alfredo Jaar, Culture = Capital ” , Marseille Capitale Européenne de la Culture, France

2012
“ Alfredo Jaar: The Politics of Images ” , Ryerson Image Centre, Toronto, Canada
“ Alfredo Jaar / Gold in the Morning ” , Goodman Gallery, Johannesburg, South Africa
“ Alfredo Jaar: Cultura = Capital ” , Guimarães 2012 European Capital of Culture, Portugal
“ Alfredo Jaar: Let there be light ” , Espace Culturel ING, Brussels, Belgium
“ Alfredo Jaar: Fünf Wolken ” , Kunstverein Arnsberg, Arnsberg, Germany
“ Alfredo Jaar: The Way it is. An Aesthetics of Resistance ” , Berlinische, Berlin, Germany
Galerie, Neue Gesellschaft für Bildende Kunst e. V. and Alte Nationagalerie, Berlin, Germany
“ Alfredo Jaar, Kultur = Kapital ” , Galerie Thomas Schulte, Berlin, Germany

2011
“ Muxima ” , The Art Institute of Chicago, Chicago, USA
“ May 1, 2011 ” , SCAD Museum of Art, Savannah, USA
“ A Hundred Times Nguyen ” , Museu Colección Berardo, Lisbon, Portugal
“ Alfredo Jaar: The Sound of Silence ” , École Nationale Supérieure des Beaux-Arts, Paris, France
“ Three Women ” , kamel mennour, Paris, France
“ The Ashes of Pasolini ” , Palace of Fine Arts, Brussels, Belgium
“ The Marx Lounge ” , Centro Andaluz de Arte Contemporaneo, Seville, Spain
“ The Marx Lounge ” , Stedelijk Museum, Amsterdam, Netherlands
“ The Ashes of Pasolini ” , Contexts, Paris, France
“ The Ashes of Pasolini ” , Musée d’art de Joliette, Quebec, Canada
“ We wish to inform you that we didn't know ” , Ulrich Museum of Art, Wichita, Kansas, USA

2010
“ La geometría de la conciencia (The Geometry of Conscience) ” , Santiago, Chile
“ Park of the Laments ” , Indianapolis Museum of Art, Indianapolis, USA
“ We wish to inform you that we didn't know ” , Contemporary Art Galleries,
University of Connecticut, Storrs, CT, USA
“ The Sound of Silence ” , Galería Oliva Arauna, Madrid, Spain

2009
“ Alfredo Jaar: The Sound of Silence ” , Galerie Lelong, New York, USA
“ Muxima ” , La Marrána, Montemarcello, Italie

2008
“ Alfredo Jaar: Politics of the Image ” , South London Gallery, London, England
“ Gold in the Morning ” , Kenji Taki Gallery, Nagoya, Japan
“ Is the wind you? (For Kurihara Sadako) ” , Kenji Taki Gallery, Tokyo.
“ It Is Difficult, Spazio Oberdan and Hangar Bicocca ” , Milan, Italy

2007
Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan University, Middletown,
Connecticut, USA
“ La Politique des Images ” , Musée Cantonal des Beaux-Arts, Lausanne, Switzerland
“ Muxima ” , CCB, Lisbon, Portugal

2006
“ Jaar SCL 2006 ” , Sala de Arte Fundación Telefonica, and Galeria Gabriela Mistral, Santiago, Chile
“ Muxima ” , MAMCO, Geneva, Switzerland
“ Muxima ” , Fundacion Tapies, Barcelona, Spain
“ Muxima ” , Reina Sofia, Madrid, Spain
“ Muxima ” , Galerie Lelong, New York, USA
“ Muxima ” , Galeria Oliva Arauna, Madrid, Spain
“ Alfredo Jaar: The Eyes of Gutete Emerita ” , Hood Museum of Art, Dartmouth College, Hanover, New Hampshire,  USA


2005
“ Muxima ” , Villa Medici, Rome, Italy
“ Let One Hundred Flowers Bloom ” , MACRO, Museo Arte Contemporanea Roma, Rome, Italy
“ Le ceneri di Gramsci ” , Studio Stefania Miscetti, Rome, Italy
“ The Eyes of Gutete Emerita ” , Museum of Fine Arts, Houston, USA
“ Muxima ” , Grand Arts, Kansas City., USA

2004
“ Todo el Dolor del Mundo ” , Centro Portugues de Fotographia, Porto, Portugal.

2003
“ The Desire of the Cartographer ” , Kunstverein Hannover, Hannover, Germany.
“ Six Seconds ­/ It is Difficult ” , Galerie Thomas Schulte, Berlin, Germany.

2002
“ Lament of the Images ” , Galerie Lelong, New York, New York., USA

2001
“ Let There Be Light: The Rwanda Project ” , Badischer Kunstverein, Karlsruhe, Switzerland.
“ Clouds/Recent Projects ” , Badischer Kunstverein, Karlsruhe, Switzerland.
“ The Silence: The Rwanda Project 1994-2000 ” , International Museum of the Red Cross, Geneva, Switzerland.

2000
“ Waiting ” , University Art Gallery, San Diego State University, California, USA
“ It is difficult ” , Todd Hosfelt Gallery, San Francisco, California, USA
“ New Works ” , Kenji Taki Gallery, Nagoya Japan and Tokyo, Japan.
“ Art + Public ” , Geneva, Switzerland.
Kalmar Konstmuseum, Kalmar, Sweden.
“ Emergencia ” , Public Library, Umea, Denmark.

1999
“ Lament of the Images ” , MIT List Visual Arts Center, Cambridge, Massachusetts; traveled to Museum of Art, Fort Lauderdale, Florida, USA

1998
“ Let there be Light: The Rwanda Project ” , Centre d'Art Santa Monica, Barcelona, Spain; traveled to Koldo Mitxelena, San Sebastian, Spain.
“ Let there be Light: The Rwanda Project ” , Stedelijk Museum Het Domein, Sittard, Netherlands.
“ The Rwanda Project, 1994-1998 ” , Galerie Lelong, New York, USA
Public Project for Sant Boi de Llobregat, Barcelona, Spain.

1997
Todd Hosfelt Gallery, San Francisco, California, USA
Galeria Oliva Arauna, Madrid, Spain.
Galerie Franck + Schulte, Berlin, Germany.
The Light Factory, Charlotte, North Carolina, USA
Galerie Grita Insam, Vienna, Austria.
Johannesburg Biennale, Newtown, Johannesburg, South Africa.

1996
City Gallery of Contemporary Art, Raleigh, North Carolina, USA.
1995
Galerie Lelong, New York, USA
Museum of Contemporary Photography, Chicago, Illinois, USA
Art Museum, University of South Florida, Tampa, Florida, USA

1994
Fotografiska Museet and Moderna Museet, Stockholm, Sweden.
Galerie Tilman, Brussels, Belgium.
Galeria Oliva Arauna, Madrid, Spain.
IFA, Institut fur Auslandsbeziehungen, Stuttgart, Germany.
Frankfurter Kunstverein, Frankfurt, Germany.

1993
Miami Center for the Fine Arts, Miami, traveled to Art Museum, University of South Florida, Tampa, Florida.
Galerie Franck + Schulte, Berlin, Germany.
Gesellschaft fur Aktuelle Kunst, Bremen, Germany.
Tramway, Glasgow, Ireland.
Ruth Bloom Gallery, Santa Monica, California, USA

1992
The New Museum of Contemporary Art, New York, USA
Whitechapel Art Gallery, London, England.
Kunstnernes Hus, Oslo, Ireland.
The Museum of Contemporary Art, Chicago, Illinois.
Meyers/Bloom Gallery, Santa Monica, California.
Pergamon Museum, Berlin, Germany.
Torre de la Santa Cruz, Cadiz and Pabellon de Andalucia, Expo 92, Seville, Spain.

1991
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Virginia Museum of Fine Arts and the Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, USA
Galeria Benet Costa, Barcelona, Spain.
Galeria Oliva Arauna, Madrid, Spain.
Galerie Gabrielle Maubrie, Paris, France.
Galerie Barbara Farber, Amsterdam, Netherlands.

1990
San Diego Museum of Contemporary Art, California; traveled to San José Museum of Art, California, USA ; Seattle Art Museum, Seattle, Washington, USA ; Carnegie Mellon Art Gallery, Pittsburgh, Pennsylvania, USA ; Laumeier Sculpture Park, St.Louis, Missouri, USA
Diane Brown Gallery, New York, New York, USA.
London Regional and Historical Museums, London, Ontario, Canada.
Insam Gleicher Gallery, Chicago, Illinois, USA
Meyers/Bloom Gallery, Los Angeles, California, USA

1989
Brooklyn Museum, Brooklyn, New York, USA
Colorado University Art Galleries, Boulder, Colorado, USA
University Art Galleries, Wright State University, Dayton, Ohio, USA
L'Arche de la Fraternité, La Défense, Paris, France.
Galerie Barbara Farber, Amsterdam, Netherlands.
Robert B. Menschel Photography Gallery, Syracuse University, New York, USA
University Art Museum, University of California, Berkeley, California, USA

1988
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, USA
Photographic Resource Center, Boston University, Boston, Massachusetts, USA
Diane Brown Gallery, New York, USA
Massachusetts College of Art, Boston, Massachusetts, USA
Galerie Gabrielle Maubrie, Paris, France
Galleria Lidia Carrieri, Rome, Italy.

1987
Lannan Museum, Lake Worth, Florida, USA
Grey Art Gallery and Study Center, New York University, New York, USA
Spectacolor Lightboard, One Times Square, New York, USA

1986
Spring Street Subway Station, New York, USA
Herron Gallery, Indianapolis Center for Contemporary Art, Indianapolis, Indiana, USA

1985
Grey Art Gallery and Study Center, New York University, New York, USA

1979
Galeria CAL, Santiago, Chile.


  • GROUP SHOWS

 

2016
“ Witness ” , Museum of Contemporary Art, Chicago, USA.
“ A Joseph Beuys ” , Galeria Cadaqués, Cadaqués, Spain.
“ Still (the) Barbarians ” , Ireland’s Biennial of Contemporary Art, Limerick, Ireland
“ Space to Dream, Recent Art From South America ” , Auckland Art Gallery, Auckland, New-Zealand.
“ And Now the Good News. Works from the Collection Annette and Peter Nobel ” , Museo d’arte della Svizzera italiana, Lugano, Italy.
“ Habitar el vacío ” , Galeria Joan Prats, Barcelona, Spain.
“ Under the Same Sun : Art from Latin America Today ” , South London Gallery, London, England.
“ Kultur = Kapital ” , Lichtparcours, Braunschweig, Germany.
“ For Freedoms ” , Jack Shainman Gallery, New York, USA.
“ Lembre-se de lembrar: uma aproximação de artistas latino Americanos à su história ” , Carbono Galeria, São Paulo, Brazil
“ Afterwork ” , Para Site, Hong Kong, China
“ A Material Legacy: The Nancy A. Nasher and David J. Haesmigger Collection of Contemporary Art ” , Nasher Museum of Art at Duke University, USA
“ The Soul of Money ” , DOX Center for Contemporary Art, Prague, Austria

2015
Braunschweig Lichtparcours, Braunschweig Kunstverein, Germany
“ Field, Road, Cloud: Art and Africa ” , Des Moines Art Center, Des Moines, USA
“ Forensics: The Anatomy of Crime ” , Wellcome Trust, London, England
“ Fractured Narratives: A Strategy to Engage ” , David Owsley Museum of Art, Muncie
“ Beyond the Monument / Au-delà du monument ” , BAC Bâtiment d’art contemporarin, Genève
“ Rastros y Vestigios ” , Hospicio Cabañas, Guadalajara
“ Scenes for a New Heritage: Contemporary Art from the Collection ” , Museum of Modern Art,
New York, USA
“ The Next Future ” , Fundação Calouste Gulbenkian, Lisbon, Portugal
“ United Nations Extended – The Vienna Dialog ” , freirum quartier21, INTERNATIONAL, Vienna, Austria
“ Waterscapes ” , Pohang Museum of Steel Art, Seoul, Korea
2014
“ Einblicke in die Sammlung Wemhöner ” , Wemhöner Foundation, Berlin, Germany
“ For Whom It Stands: The Flag and the American People ” , Reginald F/ Lewis Museum, Baltimore, USA
“ Fractured Narratives: A Strategy to Engage ” , Cornell Fine Arts Museum, Orlando, USA
“ How Far How Near. The World in the Stedelijk ” , Stedelijk Museum, Amsterdam, Netherlands
“ In Context: The Portrait in Contemporary Photographic Practice ” , Ruth and Elmer Wellin Museum of Art, Hamilton College, USA
“ In Plain Sight ” , Smack Mellon Gallery, New York, USA
“ In the Aftermath of Trauma ” , Kemper Museum, St Louis, USA
“ Into Dust: Traces of the Fragile in Contemporary Art ” , Philadelphia Museum of Art,
Philadelphia, USA
“ Latin American Art at the Allen Memorial Art Museum ” , Allen Memorial Art Museum,
Oberlin, USA
“ L’ange de l’histoire ” , Centre d’Art Contemporain Walter Benjamin, Perpignan, France
“ Les désastres de la guerre, 1800-2014 ” , Louvre-Lens, Lens, France
“ Literary Devices ” , Fisher Landau Center for Art, New York, USA
“ Manifesto! An Alternative History of Photography ” , Fotomuseum Winterthur,
Winterthur, Switzerland
“ (Mis)Understanding Photography ” , Museum Folkwang, Essen, Germany
“ Post Conflic ” t, Kinz + Tillou Fine Art, New York, USA
“ Realidades en Conflicto ” , Espacio ArtNexus, Bogotá, Colombia
“ Re-framing History ” , Galerie Lelong, New York, USa
“ Red Pill ” , Galleria H, Taipei, Taïwan
“ RE:VISION ” , Trish Clark Gallery, Auckland, USA
“ Surfacing ” , Goodman Gallery, Cape Town, South Africa
“ The Militant Image ” , Urban Subjects with Camera Austria, Graz, Austria
“ The Venice Syndrome – The Grandeur and the fall in the art of Venice ” , Gammel Holtegaard, Copenhagen, Denmark
“ The war which is coming is not the first one ” , Great War 1914-2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
“ Under the Same Sun: Art from Latin America Today ” , Guggenheim Museum, New York, USA
“ Waterscapes ” , Kumho Museum of Art, Seoul, Korea

2013
“ Americana ” , Pérez Art Museum, Miami, USA
“ Accented Boundaries ” , Itinerant_sends_for_itinerant, Copenhagen, Denmark
Aichi Triennale, Aichi Arts Center, Nagoya, Japan
“ All You Need Is Love: From Chagall to Kusama and Hatsune Miku ” , Mori Art Museum, Tokyo, Japan
“ Beam In Thine Own Eye ” , Museum of Old and New Art, Tasmania, Australia
“ Being ” , Storefront for Art and Architecture, New York, USA
“ Cleaning Up ” , Johannes Vogt Gallery
“ Colección Helga de Alvear. The Art of the Present ” , CentroCentro Cibeles de Cultura y Ciudadanía, Madrid, Spain
“ Economics in Art ” , MOCAK Museum of Contemporary Art, Krakow, Poland
“ Être humain et le savoir ensemble ” , Sixth International Biennial of Contemporary Art of Melle, France
FotoBienal, MASP, Museo de Arte de São Paulo, Brazil
“ In Between ” , Kasteel van Gaasbeek, Belgium
“ Junkies’ Promises ” , Paul Kasmin Gallery, New York, USA
“ Nasher XChange ” , Nasher Sculpture Center, Dallas, USA
“ Remembering is not enough ” , MAXXI, Rome, Italy
“ Reproductibilitat 1.0 ” , Museu d’Art Modern I Contemporani de Palma, Spain
“ Shapeshifting. My Friend. My Enemy. My Society ” , Castrum Peregrini, Amsterdam, Netherlands
“ Summer Exposure ” , Galerie Lelong, New York, USA
“ Surveying the Terrain ” , Contemporary Art Museum, Raleigh, USA
“ The Collection as a Character ” , Museum for Contemporary Art Antwerp, Belgique
“ This Is (Part of) America ” , Arizona State University Art Museum, Tempe, USA
“ Transformed Visions ” , Tate Modern, London, England
“ Venezia ” , Venezia, Pavilion of Chile, Venice Biennale, Italy

2012
“ Bilderbedarf ” , Staatliche Kunsthalle Baden-Baden, Germany.
The Kochi Muziris Biennale, India.
“ Border Crossing ” , Kunsthallen Brandts, Odense, Denmark.
“ Lux Perpetua ” , kamel mennour, Paris, France
“ Status – 24 Contemporary Documents ” , Fotomuseum Winterthur, Winterthur, Switzerland
“ Newtopia: The State of Human Rights ” , Mechelen, Belgium.
“ This Will Have Been: Art, Love & Politics ” , Museum of Contemporary Art, Chicago, USA ; traveling to The Walker Art Center, Minneapolis, USA ; Institute of Contemporary Art, Boston, USA.
“ Intense Proximity ” , Contemporary Art Triennial, curated by Okwui Enwezor, Abdellah Karroum, Claire Staebler, Émilie Renard , Mélanie Bouteloup, Palais de Tokyo, Paris, France.
“ Making history ” , Frankfurter Kunstverein, MMK Museum für Moderne Kunst, MMK Zollamt, Frankfurt, Germany.
“ Neon - Who’s afraid of red, yellow and blue? ” , curated by David Rosenberg, La Maison Rouge, Fondation Antoine de Galbert, Paris, France.

2011
“ Les nuits noires ” , curated by Eric Foucault, Lycée Descartes, Tours, France.
Sharjah Biennial 10.
“ Ars 11 ” , Kiasma, Museum of Contemporary Art, Helsinki, Finland
Contemporary Art Archipelago, CAA,Turku, Finland.
“ Private / Corporate VI ” , Daimler Contemporary, Berlin, Germany.
“ Déjà ” , Musée d’art contemporain de Montréal, Canada.
“ Les choses de la vie ” , Galerie Steinke, Vienna, Austria.
“ Time Flies ” , Hosfelt Gallery, San Francisco, USA.
“ Alfredo Jaar, The Ashes of Pasolini ” , Lo Schermo dell’Arte, Florence, Italy.
“ Distant Star / Estrella Distante ” , Regen Projects, Los Angeles, USA ; kurimanzutto, Mexico City, Mexico.
The 29th Biennial of Graphic Arts, Moderna Galerija, Ljubljana, Slovenia.
“ Being American ” , Visual Arts Gallery, New York, USA.

2010
“ Space ” , MAXXI, Rome, Italy.
“ The Flower of May ” , Biennale Hall, Guangju, Korea.
“ Undercurrents: Experimental Ecosystems in Recent Art ” , The Kitchen, New York, USA.
“ Rewind: 1970s to 1990s ” , Museum of Contemporary Art, Chicago, USA.
“ All That Is Solid Melts Into Air ” , Museu Colecção Berardo, Lisbon, Portugal.
“ The Philosophy of Money ” , Lisbon City Museum, Lisbon, Portugal.
“ Artefact Festival ” , STUK Arts Centre, Leuven, Belgium.
“ Hope ” , Palais des Arts et du Festival, Dinard.
“ Critical Fetishes. Residues of General Economy ” , CA2M Centro de Arte Dos de Mayo, Madrid, Spain.
“ The Fifth Genre ” , Galerie Lelong, New York, USA.
“ Ars Itineris ” , Artium, Vitoria-Gasteiz, Spain.
6e Biennal de Liverpool, England.
29e Biennal de Sao Paolo, Brazil.

2009
“ For You ” , Daros Exhibitions, Zurich, Switzerland.
“ Continual Rifts ” , Fowler Museum at UCLA, Los Angeles, USA.
“ Aletheia ” , Helsinki Photography Festival, Helsinki, Finland.
“ Voids: A Retrospective ” , Centre Pompidou, Paris, France ; Kunsthalle Bern, Bern, Switzerland ; Centre Pompidou-Metz, Metz, France.
Guangzhou Photo Biennial, Guangzhou, China.
“ The Fear Society ” , Pabellón de la Urgencia, Venice Biennale, Italy.
“ En los márgenes del arte. Creación y compromiso politico ” , MACBA, Barcelona, Spain.

2008
“ Risky Business Art ” , Kunstpanorama, Lucerne, Switzerland.
“ Aurum: L'or dans l'art contemporain ” , Centre PasquArt, Biel, Switzerland.
“ Worlds on Video ” , Palazzo Strozzi, Florence, Italy.
“ That Was Then...This Is Now ” , P.S.1 Contemporary Art Center, Long Island City, New York, USA
“ Africa On: Beecroft ” , Jaar, Kentridge, Galleria Lia Rumma, Milan, Italy.
“ Arte ≠ Vida: Actions by Artists of the Americas ” , 1960 - 2000, El Museo del Barrio, New York, USA.
“ Pictures in Series ” , Fisher Landau Center for Art, Long Island City, New York, USA.
“ Framing and Being Unframed: The Uses of Documentary Photography ” , Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, USA.

2007
“ To Be Continued...: Art Created for Magasin 3 Over Twenty Years ” , Magasin 3 Stockholm Konsthall, Stockholm, Sweden.
“ AfterShock ” , Sainsbury Centre for the Arts, University of East Anglia, Norwich, England.
“ Afterglow ” , Galerie Pfreim, Lacoste.
“ Check List: Luanda Pop ” , 52nd International Art Exhibition, Venice Biennale, Venice, Italy.
“ Puntos de Vista ” , Zeitgenossisceh Kunst aus der Daros - Latinamerica Collection, Museum Bochum, Bochum, Germany.
“ Sharjah Biennial 8 - Still Life: Art, Ecology, and the Politics of Change ” , Sharjah Art Museum, Sharjah, Emirates.
“ The Power of Ten: Gifts in Honor of Miami Art Museum’s 10th Anniversary ” , Miami Art Museum, Miami, USA.
“ Macro Future ” , Museo Arte Contemporanea Roma, Rome, Italy.
“ Scenes and Sequences: Peter Blum Edition, New York - A Selection from 1980 to 2006 ” , Aargauer Kunsthaus, Aarau, Switzerland.
“ New Perspectives in Latin American Art, 1930 - 2006: Prints, Photographs, and Media Works ” , Museum of Modern Art, New York, USA.
“ Equatorial Rhythms ” , Stenersen Museum, Oslo, Norvège.
“ Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art ” , Museum of Fine Arts, Houston, USA.
“ Existencias, MUSAC Museo de Arte Contemporaneo de Castilla y León ” , León, Spain.
“ Private/Corporate IV: The Lekha and Anupam Poddar Collection indialogue with the Daimler Chrysler Collection ” , Haus Huth, Berlin, Germany.
“ System Error: War is a Force that Gives Us Meaning ” , Palazzo delle Papesse - Centro Arte Contemporanea, Sienna, Italy.
“ Turbulence: 3rd Auckland Triennial ” , Auckland, New Zealand.
“ Negatec, Espacio Fundación Telefónica ” , Buenos Aires IBCA - International Biennale of Contemporary Art, Prague, Austria.


2006
“ Confini - Boundaries ” , Museo d'Arte Provincia Nuoro, Nuoro.
“ Primitivism Revisited: After the End of an Idea ” , Sean Kelly Gallery, New York, USA
1st Architecture, Art and Landscape Biennial of the Canaries, Canary Islands.
“ The Gold Standard, P.S.1 Contemporary Art Center ” , Long Island City, New York, USA.
2nd International Biennial of Contemporary Art of Seville (BIACS2), Seville, Spain.
Kapital, Kent Gallery, New York, USA.
“ Into me/ Out of me ” , P.S.1 Contemporary Art Center, Long Island City, New York, USA; traveled to Kunst - Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany.
“ Beautiful Suffering - Photography and the Traffic in Pain ” , Williams College Museum of Art, Williamstown, Massachusetts, USA.
“ Review - 25 Jahre Österreischische Ludwig Stiftung ” , MUMOK Museum Moderner Kunst, Vienna, Austria.
“ The Past Made Present: Contemporary Art and Memory ” , Museum of Fine Arts, Houston, USA
“ A Curator´s Eye: The Visual Legacy of Robert A. Sobieszek ” , LACMA Los Angeles County Museum of Art, Los Angeles, USA.
“ En las fronteras ” , Villa Croce Museo d'Arte Contemporanea, Gênes, Italy.
“ La visíon impura ” , Fondos de la colección permanente, MNCARS Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
“ Gyroscope ” , Hirschhorn Museum and Sculpture Garden, Washington D.C., USA
Festival Photo et Video de Biarritz, Biarritz , France
Brighton / Photo Biennial, Fabrica, Brighton, England.
Gardens, Toyota Municipal Museum of Art, Toyota, Japan.
TRANSactions: Contemporary Latin American and Latino Art, Museum of Contemporary Art San Diego, La Jolla; traveling through 2008 toMemorial Art Gallery, University of Rochester, Rochester, NY; High Museum of Art, Atlanta, GA; Weatherspoon Art Museum, Greensboro, NC.
FotoFest2006: Artists Responding to Violence, DiverseWorks Artspace, Houston.
Conjonctions, Musée d’Art Moderne et Contemporain, Geneva, Switzerland.

2005
“ Outside Europe: Aus der Sammlung Daimler Chrysler ” , Daimler Chrysler Contemporary, Berlin, Germany.
“ The Fluidity of Time - Selections from the MCA Collection ” , Museum of Contemporary Art, Chicago, USA.
“ Lichtkunst aus Kunstlicht ” , ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany.
“ Old News ” , Los Angeles Contemporary Exhibitions, Los Angeles, USA.
“ Nuove acquisizioni. Due anni di crescita della collezione MACRO ” , Museo d'Arte Contemporanea Roma, Rome, Italy.
“ Identity and Nomadism ” , Palazzo delle Papesse - Centro Arte Contemporanea, Sienna, Italy
“ Figuratively Speaking ” , Miami Art Museum, Miami, USA
“ Flight 405 ” , Galerie Sfier - Semler, Hamburg, Germany.
“ The Hours: Visual Arts of Contemporary Latin America ” , Irish Museum of Modern Art, Dublin, Ireland ; traveled to Museum of Contemporary Art, Sydney, Australia.
“ Concerning War - Soft Target. War as a Daily, First - Hand Reality, BAK, Utrecht, Netherlands.
“ Marking time: moving images ” , Miami Art Museum, Miami Sight - Cruising, Marugame Genichiro - Inokuma Museum of Contemporary Art, Marugame, Japan.
“ At The Mercy of Others: The Politics of Care ” , Whitney Museum of American Art Independent Study Program Exhibition at the Art Gallery of the Graduate Center, City University of New York, New York, USA.
“ Points of View: Landscape and Photography ” , Galerie Lelong, New York, USA
05 WEST Know Your Rights Festival, Leipzig, Germany.
“ Atomica: Making the Invisible Visible ” , Lombard - Freid Fine Arts and Esso Gallery, New York, USA
“ Miradas y conceptos en la colección Helga de Alvear ” , MEIAC Museo Extrmeño eIberoamericano de Arte Contemporáneo, Badajoz, Spain.
“ Fotografia! Arte 2005: Latin American Photography ” , Tampa Museum of Art, Tampa, USA.
“ Double Exposure, Godt - Cleary Projects ” , Las Vegas, Nevada, USA
“ Mapping Space: Selections from the Collection ” , Miami Art Museum, Miami, USA
“ Emergencias, MUSAC Museo Arte Contemporaneo de Castilla y León ” , León, Spain.
“ Veinte años y un día ” , Galeria Oliva Arauna, Madrid, Spain

2004
Art by MacArthur Fellows Carl Solway Gallery, Cincinnati, Ohio, USA
“ Some Things Happening ” , Herron School of Art & Design, Indianapolis, Indiana, USA
“ Images of Time and Place: Contemporary Views of Landscape ” , Lehman College Art Gallery, City University of New York, Bronx, New York, USA
“ About Face: Photographic Portraits from the Collection ” , Art Institute of Chicago, Chicago,
Illinois, USA
The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany.
Galerie Thomas Schulte, Berlin, Germany.
“ Potential Images of the World ” , Speed Art Museum, Louisville, Kentucky, USA

2003
“ Upon Reflection ” , Sean Kelly Gallery, New York, New York, USA
“ Human Condition/Global Position: 4 Contemporary Chilean Artists ” , Founder's Gallery, The Sheldon Art Galleries, St. Louis, Missouri., USA.
“ Sanctuary: Contemporary Art and Human Rights ” , Gallery of Modern Art, Glasgow, Scotland.
“ Tainted Landscapes ” , Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan University, Middletown, Connecticut, USA
“ Witnessing to Silence: Art and Human Rights ” , Humanities Research Centre, Australian National University, Canberra, Australia; Drill Hall Gallery, Australian National University, Canberra, Australia; School of Art Gallery, Australian National University, National Institute of the Arts, Canberra, Australia; Canberra Contemporary Art Space, Canberra, Australia; National Museum of Australia, Canberra, Australia.
“ Black President: The Art and Legacy of Fela Anikulapo-Kuti ” , The New Museum of Contemporary Art, New York, New York, USA
“ Pictures from Within: American Photographs, 1958-2002 ” , Whitney Museum of American Art, New York, New York,  USA
“ Experience, Rotterdam Photo Biennale ” , Nederlands Foto Instituut, Rotterdam, Netherlands.
“ Transferts ” , Palais des Beaux Arts, Brussels, Belgium.
Galeria Oliva Arauna, Madrid, Spain.

2002
“ History Now: The Presence of the Past in Contemporary Photography ” , Liljevalch Konsthall, Stockholm, Sweden; traveled to Museum of Work, Norrköping, Sweden; Passagen, Linköpings Konsthall, Linköpings, Sweden; Dunkers Kulturhaus, Helsingborg, Sweden; Midlanda Konsthall, Sundsvall, Sweden; Konsthallen, Ronneby, Sweden.
“ Double Exposure ” , Edition Schellmann, Munich, Germany and New York, New York, USA
“ Cultural Crossing ” , Numark Gallery, Washington, D.C. USA
“ Aquaria ” , Landesgalerie am Oberosterreichischen Landesmuseum, Linz; traveled to Kunstammlungen Chemnitz, Germany.
“ Baltic Art Center ” , Visby, Sweden.
Fundacion Joan Miro, Barcelona, Spain.

2001
Daros Exhibitions, Zurich, Switzerland.
“ The Gift ” , Palazzo delle Papesse, Siena, Italy.
“ Voir Ne Pas Voir La Guerre ” , Musée d'Histoire Contemporaine, Invalides, La Defense, Paris, France.
“ Versiones del Sur: Más allá del Documento ” , Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
“ Il Dono, offerta ospitalita insidia ” , Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy.
“ Minimalism Past And Presence ” , Galerie Lelong, New York, New York, USA.
O Espiritu da Nossa Epoca, Museo de Arte Moderna, Sao Paolo, Brazil.

2000
FaceON, Site Gallery, Sheffield, Yorkshire, England.
inSITE2000, San Diego/Tijuana: ” The Cloud," installation at Playas de Tijuana, Mexico.
“ An Intelligent Pressure ”  , Site Gallery, Sheffield, England
“ SCULPTography ” , Galerie Lelong, New York, New York, USA
“ Frames of Reference from Object to Subject ” , Ezra and Zilkha Gallery, Center or the Arts, Wesleyan University, Middletown, Connecticut, USA.
“ Bluer ” , Carrie Secrist Gallery, Chicago, Illinois, USA
“ International Museum of the Red Cross ” , Geneva, Switzerland.


PRIZES
2006
Premio Extremadura a la Creación, Spain.

2000
MacArthur Foundation, MacArthur Fellowship.
1985
New York State Council of the Arts Grant.
1985
Guggenheim Fellowship.


PUBLIC COLLECTIONS
21C Museum Foundation, Louisville, Kentucky.
Les Abattoirs de Toulouse, Toulouse, France.
Art Institute of Chicago, Chicago, Illinois.
Chase Manhattan, New York, New York.
DaimlerChrysler Contemporary, Berlin, Germany.
Daros Foundation, Zurich, Switzerland.
Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts.
Fonds National d'Art Contemporain, Paris, France.
High Museum of Art, Atlanta, Georgia.
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Indianapolis Museum of Art, Indianapolis, Indiana.
The Israel Museum, Jerusalem, Israel.
Los Angeles County Museum of Art, Los Angeles, California.
Magasin 3 Stockholm Konsthall, Stockholm, Sweden.
Miami Art Museum, Miami, Florida.
Musée d'Art Contemporain, Montreal, Quebec, Canada.
Musee cantonal des Beaux-Arts, Lausanne, Switzerland.
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
Museo de Artes Visuales, Santiago, Chile.
Museo de Arte Contemporáneo de Castilla y León, Léon, Spain.
El Museo del Barrio, New York, New York.
Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain.
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
Museu d'Art Contemporani de Barcelona, Barcelona, Spain.
Museum het Domein, Sittard, the Netherlands.
Museum of Contemporary Art Chicago, Chicago, Illinois.
Museum of Contemporary Arts Los Angeles, Los Angeles, California.
Museum of Contemporary Art San Diego, San Diego, California.
Museum of Contemporary Photography, Chicago, Illinois.
Museum of Modern Art, New York, New York.
Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium.
National Gallery of Canada, Ottawa, Ontario, Canada.
New York Public Library, New York, New York.
Norton Museum of Art, West Palm Beach, Florida.
Queensland Art Gallery, Queensland Cultural Center, South Brisbane, Australia.
Rose Art Museum, Brandeis University, Waltham, Massachusetts.
Seattle Art Museum, Seattle, Washington.
Tate Britain, London, England.
Williams College Museum of Art, Williams College, Williamstown, Massachusetts.


PUBLICATIONS
2012
Ades, Dawn. Collecting art from Latin America. A perspective from the UK, essay in Tate Latin American Acquisitions Committee catalogue, London: Tate, pp. 9.
Bamm, Peter, et al. Ashes and Gold. A World's Journey Exhibition Catalogue, Cologne: Marta Herford gGmbH, pp. 24-25.
Batchen, Geoffrey, et al. The Afterlife of Photographs, essay in book Picturing Atrocity, Photography in Crisis, London: Reaktion Books, pp. 273-281.
Budick, Ariella. Dantesque delights, Financial Times, December 1.
Dander, Patrizia. Image Counter Image, essay in Image Counter Image Exhibition catalogue, Cologne: Buchhandlung Walther Konig, pp. 13-15.
De Peuter, Patricia. Alfredo Jaar shares his mission with us, essay in book Alfredo Jaar. Let There Be  Light, Brussels: ING Belgium, pp. 24-25.
Enwezor, Okwui. Alfredo Jaar's Art of Illumination, essay in book Alfredo Jaar, The Sound of Silence, Paris: editions kamel mennour, pp. 18-29.
Fassi, Luigi. Alfredo Jaar - The Cloud, essay in Border Crossing Exhibition catalogue, Odense: Kunsthallen Brandts, pp. 36-51.
Fusi, Lorenzo. Alfredo Jaar, Roma: Exorma.
Geimer, Peter. Das Unsichtbare fest im Blick, Frankfurter Allgemeine, August 7, http://www.faz.net/aktuell/feuilleton/kunst/kunst-im-zeichen-der-gewalt-das-unsichtbare-fest-im-blick-11844094.html.
Goris, Gie. Een bombardement zonder genade, No. 98, October, pp. 56-58.
Grace, Claire. Alfredo Jaar, We Are All Created Equal, 1984, essay in This Will Have Been: Art, Love, & Politics Exhibition Catalogue, New Haven: Yale University Press, pp. 196-200.
Gregos, Katerina. Alfredo Jaar, essay in Newtopia: the State of Human Rights Exhibition catalogue, Mechelen: Ludion, pp. 202-208.
Gregos, Katerina. Beyond images: The art of Alfredo Jaar, essay in book Alfredo Jaar. Let There Be  Light, Brussels: ING Belgium, pp. 26-29, 49-79.
Hilgenstock, Andrea. Der Widerstandige, tip Berlin, June 21 - July 4, 2012, pp. 65.
Hornung, Peter Michael. Man bliver jo helt utilpas, Politiken, August 22, pp. 16.
Jaar, Alfredo and Luis Camnitzer. Luis Camnitzer vs. Alfredo Jaar, Fluor, #01 01/02/03 2012, pp. 8-23.
Jaar, Alfredo. Culture = Capital, Inaesthetics, No. 3, pp. 51.
Krempel, Leon. Alfredo Jaar, essay in Image Counter Image Exhibition catalogue, Cologne: Buchhandlung Walther Konig, pp. 120-1230.
Kuni, Verena. Making History, Camera Austria, No. 118, pp. 76-77.
Larrauri, Eva. El monumento `Gernika' en memoria de las victimas no estara listo en 2012, El Pais July 6, pp. 2.
Letelier, Michelle-Marie. Alfredo Jaar: Reflexiones sobre su retrospectiva en Berlin, Artishock, July 10, http://www.artishock.c1/2012/07/alfredo-jaar-reflexiones-sobre-su-retrospectiva-en-berlin/
Loret, Eric. Alfredo Jaar, surex a Berlin, Liberation, August 13, p. 20.
Lucchesi, Silvia. It's Hard to Touch the Real, essay in Bulletin #1, Florence: Lo Schermo dell'Arte, pp. 11, 14.
Macho, Thomas. visible / invisible, essay in Status Exhibition Catalogue, Winterthur: Fotomuseum Winterthur, pp. 53.
Meixner, Christiane. Asthetik und Widerstand, Zitty Berlin, June 14-27, 2012, pp. 94-95.
Migliore, Tiziana. Alfredo Jaar, l'esperienza dell'impegno, Il Manifesto, September 4,
http://www.ilmanifesto.it/area-abbonati/in-edicola/manip2n1/20120904/manip2pg/11/manip2pz/328117/.
Moliterni, Rocco. Artissima accende i neon sul futuro, La Stampa, September 11, pp. 32-33.
Nedo, Kito. Utopie ist noch moglich, Art, July 1, http://www.art-magazin.de/kunst/53050/alfredo_jaar_berlin.
Nungesser, Michael. Alfredo Jaar, Kunstforum, No. 218, October/December, pp. 274-276.
Planitzer, Matthias. Das Schlufswort, Die Monatliche Kritik von Castro & Pollux, Kunst Magazin, July 15,
http://www.kunst-magazin.de1castor-und-pollux-das-schlusswort-5/.
Reichert, Von Kolja. Die Stille nach dem Grauen, Der Tagesspiegel, June 19, pp. 26.
Remes, Outi. Finding Africa(s) in Finland, Afterimage, Vol. 39 No. 4, pp.32-33.
Savski, Andrej. Alfredo Jaar essay in Dogodek, The Event Exhibition catalogue, Ljubljana: The International Centre ofGraphic Arts, pp. 116-119.
Schmid, Martina. Jaar, Alfredo, in Image Counter Image Exhibition catalogue, Munich: Haus der Kunst, pp. 9.
Schwabsky, Barry. Alfredo Jaar, Contexts, Artforum, February, 2012, Vol. 50, No. 6, pp. 239.
Shin, Wonjung. Alfredo Jaar. The Artist of Resistance, Monthly Art, No. 332, October, pp. 126-133.
Solnit, Rebecca. Gefliigelter Merkur und goldenes Kalb essay in book Das Rheingold, Munich: National Theater, pp. 98, 102-107, 114-117.
Speranza, Graciela. Atlas portatil de América Latina. Arte y ficciones errantes, Barcelona: Editorial Anagrama, pp. 47-50.
Stange, Raimar. Eine Politik der Bilder, Spike, Fall, pp. 133.
Streltsova, Alina. Alfredo Jaar: Some Errors, Искусство Art Magazine, No. 3 (582), pp. 116-123.
Ulmer, Brigitte. Ambivalenz des Sichtbaren, Neue Zurcher Zeitung, July 26,
http://www.nZZ.ch/aktuell/zuerich/zuercher kultur1ambivalenz-des-sichtbaren-1.17403197/.
Valdés, Adriana. Alfredo Jaar: La Geometria de la Conciencia, Zona de Proyecto, No. 19, pp. 184-187.
Viola, Eugene. Radici, Fondazione Malvina Menegaz, June 26, http://www.fondazionemenegaz.it/eventi/252/radici/.
Wendt, Selene. The Communist Manifesto, essay in The Storytellers Exhibition catalogue, Oslo: Transnational Art Production, pp. 40-43.
Von Sebastian, Perus. Die Glut ist nicht erloschen, Berliner Zeitung, June 20, pp. 26.
Wach, Alexandra. Vorsicht, Kamera: Alfredo Jaar fragt in Berlin nach der Wirkung von Bildern, monopol, June, pp. 128.
Wendt, Selene. The Communist Manifesto, essay in The Storytellers Exhibition catalogue, Oslo: Transnational Art Production, pp. 40-43.
Wolf, Dominik. Ausstellung: Alfredo Jaar - The Way It Is: Eine Asthetik des Widerstands, I-RE F, June 19, http://www.i-ref.de/2012/061191ausstellung-alfredo-jaar-the-way-it-is-eine-asthetik-des-widerstands/.
Wulffen, Thomas. Durchgang durch den Rundgang, Kunstforum, No. 216, July 1, pp. 254-255.
Zillig, Steffen. MIT/GEFUHL / Steffen Zillig uber Alfredo Jaar in der Neuen Gesellschaft fur Bildende
Kunst, der Alten Nationalgalerie und der Berlinischen Galerie, alle Berlin, Texte Zur Kunst, Issue No.87, September, pp. 268-273.
2011
Bakels, Babs. The Eyes of Gutete Emerita, De Dood Leeft, Amsterdam: Tropenmuseum, pp. 96-97.
Battistozzi, Ana María. El comunicador del arte, Ñ, July 30, pp. 30-31.
Bouwhuis, Jelle. Alfredo Jaar: The Marx Lounge, Amsterdam, The Netherlands: die Keure, Brugge.
Bruckle, Wolfgang. The Trouble with Atrocity Photography in Gerhard Richter, Robert Morris and Alfredo Jaar, or, Art on the Brink of Failure, essay in book Pictorial Cultures and Political Iconographies: Approaches, Perspectives, Case Studies from Europe and America, Berlin: De Gruyter, pp. 11, 355-356, 367-371.
Cavallo, Francesca. Re-reading The Classic, Cura, #08 Spring/Summer, pp. 58-63.
Chougnet, Jean-Francois. A Hundred Times Nguyenm Exhibition catalogue, Lisbon: Museu Colecção Berardo.
Cirelli, Julie. Alfredo Jaar. Kamel Mennour. Paris, frieze, Issue 140, June, July, August, pp. 216.
Díaz-Urmeneta Muñoz, Juan Bosco. Re-reading Marx, 11 to 21. The Political Constitution of the Present, CAAC Issue 1 March - June, pp. 108-113.
Di Tommaso, Francis. Alfredo Jaar & David Levi Strauss essay in Being American Exhibition catalogue, New York: Visual Arts Gallery, pp 38-3, 79
Enwezor, Okwui. Alfredo Jaar: The Sound of Silence, Defining Contemporary Art: 25 Years in 200 Pivotal Artworks, London: Phaidon Press, pp. 62, 382-383.
Frascina, Francis. Face to Face: Resistance, Melancholy, and Representations ofAtrocities, Afterimage, Vol. 39, Nos. 1 & 2, pp. 49-53.
Frascina, Francis. News From Nowhere, Afterimage, Vol. 38, No. 4, Jan/Feb, pp. 6-7.
Frascina, Francis. The aesthetics of violence, Art Monthly, March, pp. 9-12.
Gothoni, Ralf, et al. Dear Markus Exhibition catalogue, Turku: Contemporary Art Archipelago.
Hart, Katherine. Alfredo Jaar and Goya's Legacy: A Work about Rwanda's Genocide Enters the Hood's Collection, essay in Alfredo Jaar: The Eyes ofGutete Emerita Exhibition catalogue, Hanover, New Hampshire: Hood Museum ofArt.
Jaar, Alfredo. El silencio de Ai Weiwei, La Vanguardia, July 20, pp. 12-13.
Jaar, Alfredo. Muxima, essay in ARS 11 Exhibition catalogue, Helsinki: KIASMA, pp. 140-143.
Jaar, Alfredo. Proposal for Piazza Matteotti, Piazza Competition. The Space Beneath The Sky, Imola: Museo di San Domenico, pp. 20-27.
Jaar, Alfredo, Questionnaire, frieze, Issue 143, November, December, pp. 156.
Jauffret, Magali. Le retour a Paris de l'artiste Alfredo Jaar, l'Humanite, February 26, pp. 18.
Kleene, Guido and Alfredo Jaar. Alfredo Jaar: The Rwanda Project, De Helling, No. 4 Winter, pp. Cover-9, 24-25.
Knudsen, Stephen. Alfredo Jaar, ArtPulse, Winter, pp. 78.
Leenaerts, Daniell. L'oeuvre comme dispositif réflexif dans l'art d'Alfredo Jaar, de 1979 a 1986 in Efficacité/Efficacy. How To Do Things With Words and Images?, Amsterdam/New York: Rodopi, pp. 209-223.
Loeffler, Frances. A Protest for Thinking, Talking and Reading: Alfredo Jaar's The Marx Lounge, essay in Touched Exhibition catalogue, Liverpool: Liverpool Biennial of Contemporary Art, pp. 187-195.
Macellari, Marcelo. Alfredo Jaar: Cada vez es mas dificil hacer arte en un mundo tan complejo, El Mercurio de Valparaiso, October 18, pp. 29.
MacQueen, Kathleen. Shifting Connections: Fall/Winter Shorts, BombBlog, December 16,
http://bombsite.com/issues/1000/articles/6336/.
Mancini, Maria Giovanna. L'arte nello spazio pubblico, Una prospettiva critica, Salerno: Plectica, pp. 23-24, 78-79, 88-100.
Martini, Federica, and Vittoria Martini. A Conversation with Alfredo Jaar, essay in book Just Another Exhibition, Histories and Politics of Biennials, Milan: Postmedia, pp. 9, 80, 86-89, 98, 153-155.
Marvrikakis, Nicolas. MAJ-EUR, Voir, December 15,
http://voir.ca/arts-visuels/2011/12/15/gaetane-verna-maj-eur/
Medeiros, Margarida. A poesia é a melhor forma de documentar o real, Publico, June 3, pp. 16-18.
Miller, Dana, Donna De Salvo and Joseph Giovanni. The Emily Fisher Landau Collection, New Haven: Yale University Press, pp. 128-129.
Nelson, Maggie. The Art of Cruelty: A Reckoning, New York: W. W. Norton & Company, pp. 26-27.
Oncu, Sorin. Arta contemporana si razboiul yossarian. Artistul anti-razboi, Contrapunct, November 4-6, pp. 25-29.
Platt, Susan Noyes. Alfredo ]aar: Chile's Nightmares/ Contemporary Genocides, essay in book ART and POLITICS NOW: Cultural Activism in a Time ofCrisis, New York, NY: Midmarch Arts Press, pp. xix, 66, 71-75,97, 166.
Pietromarchi, Bartolomeo. Italia in opera. La nostra identita attraverso le arti visive, Torino: Bollati Boringhieri, pp. 122-25, 149, 174, 189.
Prosser, Jay. Installing Atrocity: The Body of the Photograph in Susan Meisela's Reframing History, Afterimage, Vol. 39, Nos. 1 & 2, pp. 74-79.
Rodeschini, M. Cristina and Giacinto Di Pietrantonio. Il Belpaese dell'Arte. Etiche ed Estetiche della Nazione Exhibition  Catalogue, Bergamo: Nomos Edizioni, pp. 205.
Salazar, Angelica Gallon. En Fotografica 2011, El Espectador, May 14, pp. 24-25.
Sánchez, Julio. Caravana de imágenes, adi, August 5, pp. 22-23.
Sardo, Delfim. Alfredo Jaar, essay in book Stories ofMaterial Life: People, Places, Things, Events, Fictions, Caceres, Spain: Centro de Artes Visuales-Fundacion Helga de Alvear Caceres, pp. 238-239.
Schnepf, Herbert. Les choses de la vie esel.at, Summer 2011, http://www.esel.at/termin/52945/.
Slavick, Elin O'Hara. Empathetic Vision: Aesthetics of Power and Loss, essay in book Virilio Now. Current Perspectives in Virilio Studies, Cambridge: Polity Press, pp. 116, 120, 134, 137-138.
Tedeschi, Francesco. Il mondo ridisegnato. Arte e geografia nella contemporaneita, Milan: Vita e Pensiero, pp. 111-112.
Ursprung, Philip. La cordillera de los Andes (CB),”essay in Dislocacion Exhibition catalogue, Ostfildern: Hatje Cantz Verlag, pp. 128-137.
Vozmediano, Elena. Alfredo Jaar, cien veces Nguyen, El Cultural, July 15-21, pp. 32.
Wiehager, Renate. Alfredo Jaar, essay in Private 1 Corporate VI Exhibition catalogue, Berlin: Daimler AG, pp. 34-35.
2010
Alloa, Emmanuel. Changer de sens. Quelques effets du tournant iconique, Critigue, August-September, Volume LXVI, No. 759-760, Paris: Editions de Minuit, pp. 647-658.
Andulce, Pablo. Las raices de Jaar, Vivienda y Decoracion, January 16, pp. 12-17.
Barclay Morgan, Anne. Subtle Power: Alfredo Jaar's Recent Installations and Permanent Public Interventions,” Sculpture, December, pp. 56-61.
Blocker, Jane. Seeing Witness: Visuality and the Ethics of Testimony, Minneapolis: University of Minnesota Press, pp. xxii, xxiii, 53-57, 59, 127.
Celant, Germano and Melissa Harris. Immagini Ineguietanti, Italy, pp. 322-333.
Chiodi, Stefano, and Domitilla Dardi. SPACE: From MAXXI'S Collections of Art and Architecture, Rome: Electa, pp. 173.
Chiuminatto, Pablo. The Gramsci Trilogy: As with Weeping the Speechless Eyes, essay in book The Eyes of Gutete Emerita, Santiago: DIRAC, pp. 51-62.
Corris, Michael. Word and Image in Art since 1945, Art, Word, and Image: 2,000 Years of Visual / Textual Interaction, London: Reaktion Books Ltd., pp. 215-316.
D'Alleva, Anne. Look! The Fundamentals of Art History, Third Edition, New York: Prentice Hall, pp. 43-44.
Denegri, Dobrilla. Alfredo Jaar, essay in The Flower of May Exhibition catalogue, Gwangju Biennale Hall, Gwangju: Gwangju Biennale Foundation, pp. 52-57.
Diaz, Eva. The Language of Transformation: A Conversation between Alfredo Jaar and Eva Diaz, essay in The crude and the rare Exhibition Catalogue, New York: The Copper Union. pp. 46-53
Dobrzynski, Judith. Art and Nature, Hand in Hand, The Wall Street Journal, June 23, pp. D6.
Espinoza, Denisse. Alfredo Jaar estrena Cintas sobre Ruanda y Pasolini e inaugura muestra colectiva, La Tercera, August 20, pp. 61.
Fournier, Anik. The Ruin in the Age of Junkspace, essay in Undercurrents: Experimental Ecosystems in Recent Art Exhibition catalogue, New York: Whitney Museum of American Art, pp. 54-57.
Golonu, Berin. Format Your Intervention! The Creative Time Summit: Revolutions in Public Practice, Art Papers, March/April, pp. 15.
Iriarte, Maria Elvira. The 29th Sao Paulo Biennial, ArtNexus, No. 79, Volume 9, pp. 86-94.
Jaar, Alfredo. Cover, Cura, October — December, pp. 1.
Jaar, Alfredo. El Bicentenario Segun Jaar, Que Pasa, No. 2057, September, pp. 12-19.
Jaar, Alfredo. Les Cendres de Pasolini, Trafic, No. 73, pp.95-96.
Jaar, Alfredo. Host: a Project for Transmission, Transmission Annual, London: Artwords Press, pp. 35-44.
Jaar, Alfredo. Parque de los Lamentos, Trace, November 2010-January, Issue 01, pp. 90-97.
Korshak, Yvonne and Robert J. Ruben. Beyond the Text: Artists’ Books from the Collection of Robert J. Ruben, New York, pp. 82-3.
Lavoie, Vincent. Lights in the City (1999) d'Alfredo Jaar ou l'indigence furtive, Oeuvres a la rue: pratiques et discours émergents en art public, Montreal: UQAM, pp. 31-37.
Lindquist, David. Nature & Art Intertwined, The Indianapolis Star, June 20, pp. A1, A15-17.
Litt, Steven. Please Touch, ArtNews, June, Vol. 109, No. 6.
Loefler, Francis. Alfredo Jaar, Liverpool Biennial: The Guide, Liverpool: Liverpool Biennial of Contemporary Art Ltd. pp. 66-7.
MacQueen, Kathleen. Murmurs ofthe Heart: Alfredo Jaar's Muxima, essay in book Tactical Response: Art in an Age of Terror, Ann Arbor: UMI, pp. 124-178.
Marucci, Luciano. L'Arte della Sopravvivenza. Juliet, October - November, pp. 52.
Nair, Parvati. After-Images: Trauma, History and Connection in the Photography ofAlfredo Jaar, essay in book The Eyes of Gutete, Emerita, Santiago: DIRAC, pp. 63-80.
Neil, Jonathan T. D. Feature, ArtReview, June, pp. 102-4.
Okamura, Keiko. Alfredo Jaar, in Searching Songs Exhibition catalogue, Tokyo Metropolitan Museum of Photography. Tokyo: Tokyo Metropolitan Museum of Photography, pp. 66-9.
Pas, Johan, ed. Track Report 10102: Zonder beeld, Antwerp: Eric Ubben.
Pfeffer, Susanne, ed. Alfredo Jaar, For the Use of Those Who See Exhibition catalogue. Koln: Shoeck Verlagsgesellschaft mbH, pp 65-72.
Pfeffer, Susanne, ed. My Work and Me, Koln: Verlag der Buchhandlung Walther Konig.
Poblete, Joel, ed. Shoot the Shooter, SANFIC6 Exhibition catalogue, Santiago de Chile: SANFIC, pp. 130-133.
Risco, Ana María. The Disturbance of the Sensible: Reflections on Alfredo Jaar's Politics of the Image, essay in book The Eyes of Gutete Emerita, Santiago: DIRAC, pp. 27-38.
Sheets, Hilarie. 100 Acres to Roam, No Restrictions, The New York Times, June 13, pp. AR2 2.
Thibodeaux, Julianna. IMA's Art & Nature Park, NUVO, June 16-23, pp. 14-20.
Tisi, Rodrigo, ed. Alfredo Jaar, SCL 21 10, Texts by Adriana Valdés and Alejandro Crispiani. Santiago: Uqbar Editores, pp. 318-349.
Varblane, Reet. Kommunikatsioon ei ole vaid sonum. E, April 30, pp. 1, 11.
Viñuela Díaz, José Maria. Margins of Silence Exhibition catalogue. Helga De Alvear Foundation, pp. 172-173.
Walker, Sydney R. Artmaking and the Sinthome, Visual Arts Research, Vol. 36 No. 2 Issue 71 Winter, Illinois: University of Illinois at Urbana-Champaign, pp 75-82.
Zuñiga, Rodrigo. The Site and the Formula: A Logo for America, essay in book The Eyes of Gutete, Santiago: DIRAC, pp. 39-50.
Alfredo Jaar: Presentaré un proyecto muy personal sobre el Bicentenario, El Mercurio, August 15, pp. E8.
2009
Aranda-Alvarado, Rocío. Alfredo Jaar, ArtNexus, Vol. 8, No. 73, pp. 111-112.
Arestizabal, Irma. Alfredo Jaar, Arte al Día, February/March, No. 126, p. 84.
Ashton, Dore with Phong Bui and David Levi Strauss. Alfredo Jaar, The Brooklyn Rail, April, pp. 16-19.
Bickers, Patricia. 53rd Venice Biennale, Art Monthly, July-August, No. 328, pp. 24-25.
Ceresoli, Jacqueline. Alfredo Jaar, Flash Art Italia, Vol. 42, No. 273, December/January, p. 78.
Decter, Joshua. Alfredo Jaar, Artforum, XLVII, No. 10, Summer, p. 335.
Di Matteo, Roberta. Alfredo Jaar, Metro News, January 21.
Frascina, Francis. Gaza: Lament of the Images Revisited, Art Monthly, April, No. 325, pp. 9-12.
Font, J.M. Martí. El panfleto como obra de arte, El País, July 9.
Jaar, Alfredo. Cox18 deve vivere perché la cultura è la sua raison d’être, Il Manifesto, February 4, p. 12.
Jaar, Alfredo. -273.15˚ project in Voids: A Retrospective Exhibition catalogue Centre Pompidou, Paris; Kunsthalle Bern, Bern; Centre Pompidou-Metz, Metz. Zurich: JRP Ringier.
Jaar, Alfredo. En la Cárcel de Mandela, Domingo (El Mercurio), April 5, pp. 4-5.
Luna, Claire. Alfredo Jaar, Arte al Día, May-July, No. 127, pp. 108-109.
Lundström, Jan-Erik. Alfredo Jaar, essay in Aletheia Exhibition catalogue, Helsinki Photography Festival, Helsinki City Art Museum, p. 46.  
Oddo, Eva. Interview with Alfredo Jaar, The Myth of Europa, Januray, pp. 1+.
Ortega, Soledad. Alfredo Jaar interviene las calles y el metro de Barcelona, La Tercera, April 3, p. 66.
Phillips, Patricia C. Alfredo Jaar, essay in For You Exhibition brochure, Daros Exhibitions, Zurich.
Rifbjerg, Synne. Billedstorm, Weekendavisen, No. 11, March 13-19, p. 1.
Schellenberg, Samuel. Millésime d’exception pour les pavillons nationaux, Le Courrier, June 13.
Smith, Roberta. Alfredo Jaar: The Sound of Silence, The New York Times, April 24, p. C23.
Smith, Roberta. One Image of Agony Resonates in Two Lives, The New York Times, April 15, pp.  C1+.
Van der Stok, Frank. Mental Images, essay in book Questioning History: Imagining the Past in Contemporary Art, Rotterdam: NAi Publishers, pp. 104-119.
Wilson, Michael. Alfredo Jaar: The Sound of Silence, Time Out New York, April 16-22, No. 707, p.  46.
2008
Allsop, Laura. Pressing Issues, Tank, Vol. 5, No. 3, p. 38.
Andriesse, Paul. On My Mind…, Foam Magazine, No. 11, p. 19.
Bartezzaghi, Stefano. Que punti interrogativi che affermano più di uno slogan, La Repubblica, Vol.
233, No. 299, December 17, p. 44.
Basting, Barbara. Tages-Anzeiger,’ Zurich, Art: Das Kunstmagazin, January, p. 63.
Bergòs, Monica. Alfredo Jaar, una ventana a Africa, Noticias, March.
Bernabei, Valentina. Guerrigliero dell’arte, La Repubblica, Vol. 233, No. 299, December 17, p. 44.
Bonazzoli, Francesca. Jaar: Le urla dell’arte, Corrière della Sera, October 2, p. 14.
Bouchet, Raphaële, and Samuel Schellenberg. Le travail, maux a maux, Le Mag, January 19, pp. 19-20.